A useless sci-fi collection with a paltry 1-in-20 success rate.
Stories from “a chorus of storytellers who are up to the task of capturing the essence of our world’s present and future,” according to co-editor Rajaniemi (Summerland, 2018, etc.).
Anthologies are a tricky thing. When done well, a great anthology has both gripping short stories and a compelling overarching motif. At the very least, an anthology needs one or the other. Invisible Planets, an outstanding selection of Chinese short science fiction in translation edited by Ken Liu, hit both marks, and although the quality of stories in last year’s A People’s Future of the United States, edited by Victor LaValle and John Joseph Adams, was deeply uneven, its concept of collecting near-future tales of marginalized people was thought-provoking. However, this collection, edited by Rajaniemi and Weisman (co-editor: The Unicorn Anthology, 2019, etc.), has a bland, vague theme—“new voices,” although many were first published years ago—and exactly one impressive story. Alice Sola Kim, one of the few bright spots in the LaValle and Adams anthology, stands out again here. Like her previous story, “Now Wait for This Week,” “One Hour, Every Seven Years” plays with the idea of time repeating and doubling back on itself, as a time-travel researcher struggles to save her 9-year-old self from her classmates’ torment. The rest of the stories range from forgettable to genuinely terrible. Suzanne Palmer’s “The Secret Life of Bots” takes the what-if-robots-were-sentient idea and does nothing especially new or interesting with it. Jamie Walhs’ virtual-reality story, “Utopia, LOL?” is so full of cringe-y online-speak that one can feel it becoming dated as one reads it—“Charlie looks all skeptical_fry.pic.” Yikes. The absolute nadir of the 20 stories is “Calved” by Sam J. Miller, in which a man struggles to connect with his son; the tale ends with an idiotically regressive twist.
A useless sci-fi collection with a paltry 1-in-20 success rate.Pub Date: Nov. 5, 2019
ISBN: 978-1-61696-291-3
Page Count: 432
Publisher: Tachyon
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Remarkable, revelatory and not to be missed.
Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.
In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.
Remarkable, revelatory and not to be missed.Pub Date: Nov. 11, 2014
ISBN: 978-0-7653-7706-7
Page Count: 400
Publisher: Tor
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Too much puzzle-solving, not enough suspense.
Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.
The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three. Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.
Too much puzzle-solving, not enough suspense.Pub Date: Aug. 16, 2011
ISBN: 978-0-307-88743-6
Page Count: 384
Publisher: Crown
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
SEEN & HEARD
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