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MY FAIRY-TALE LIFE

Dickensian in boyhood, Gatsby-esque later on, self-congratulatory throughout.

A new translation of the midcareer memoir by the writer who wrote “The Little Mermaid,” “The Ugly Duckling” and myriads of other fictional and dramatic writings lesser-known outside his native Denmark.

First published in 1855, Andersen’s, unsurprisingly, is more an old-fashioned autobiography than a contemporary memoir. Concerned principally with the exteriors of his life—his financial struggles in boyhood and young manhood, his slow acceptance in the world of Danish letters, his later international celebrity, his extensive travels—the volume says virtually nothing explicit about his love life (though his passion for singer Jenny Lind, the “Swedish Nightingale,” is patent; she didn’t reciprocate, referring to him as her “brother”), his professional work habits or nearly anything emotional. A big exception: his relationship with critics, professional ones and otherwise. Repeatedly, Andersen agonizes about unkind reviews of and negative comments about his work (he quotes at length from some of them)—especially in Denmark, where acceptance came much more slowly than it did in Germany, England and elsewhere. Compensating for this are endless pages of paeans from those who did appreciate his work—from commoners to kings. He quotes lines from flattering letters, reproduces poems others wrote in his honor, and never tires of discussing the high-society parties he attended (many to honor him, of course) and the celebrities who cherished him. Among those were Heinrich Heine, Victor Hugo, Charles Dickens, Franz Liszt, the brothers Grimm and Honoré de Balzac. (His descriptions of Dickens border on the erotic.) Andersen also continually credits God for the good things in his life. The early parts of his account—about penury and struggle and determination and autodidacticism—are far more interesting than the rest, and there is also a dazzling description of his ascent of Vesuvius as it belched flame.

Dickensian in boyhood, Gatsby-esque later on, self-congratulatory throughout.

Pub Date: April 18, 2014

ISBN: 978-1-907650-57-4

Page Count: 510

Publisher: Dedalus Limited

Review Posted Online: Feb. 15, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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