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1944 DIARY

The diary should appeal to readers of Keilson’s fiction but not most general readers.

The wartime diary of a celebrated novelist.

When Keilson (The Death of the Adversary, 2011) was in his 30s, he spent a period of time in hiding. In the early 1940s, the writer and psychotherapist fled to the Netherlands with his wife and daughter. But by 1944, the Netherlands had been occupied, and while his non-Jewish wife took their child to live elsewhere, Keilson acquired fake papers and moved in with the Rientsma family. During that period, the author had an affair with a younger Jewish woman, also in hiding, and composed a series of sonnets inspired by the affair; he also wrote fiction and kept a diary. Keilson’s novels were first published in English only a few years ago, to great acclaim. The diary will be of great interest to fans of his fiction. He describes the ups and downs of his passion for Gertrud, his wife, and Hanna, his mistress. Regarding Hanna and the sonnets she inspired, Keilson writes, “I have the feeling of having sucked everything out of her it’s possible to get, like out of a lemon…and then turned it into poetry.” Those sonnets are included in this volume. Searls, Keilson’s capable translator, tells us that the “poems are written in a clipped, tightly coiled German,” with “a wrought, elliptical, intense style.” Unfortunately, those tight coils don’t come across in translation; in English, the poems feel awkward—e.g., the first two lines of the first one: “I son, you daughter, children of one blood, / so bitter ripe for Death in his fierce mowing.” In the diary, Keilson also includes notes on his readings as well as speculation on what life will be like after the war. Surprisingly, he spends little time describing that war and his experience of it. “Meanwhile, heavy fighting in the Netherlands!” he writes, in late September. “Nijmegen, Arnhem!” But then, in the next sentence: “These events, however much they grip me, are no longer my real life.”

The diary should appeal to readers of Keilson’s fiction but not most general readers.

Pub Date: June 6, 2017

ISBN: 978-0-374-53559-9

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 1, 2017

Kirkus Reviews Issue: April 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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