A thoughtful, if somewhat slow-paced, story of post-genocide Rwanda.

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HEARTS AMONG OURSELVES

A NOVEL

Umwagarwa (Drums of Success, 2015) offers a novel about a young Rwandan woman in the raw years after her family members were massacred.

Karabo’s mother is Hutu; her father was a Tutsi, and by Rwandan custom, this makes her a Tutsi. Her father and siblings were murdered by Hutu militias during the genocide against the Tutsis in 1994; it was only by a miracle that Karabo managed to survive: “When some people asked me to narrate to them what happened that day, I said, ‘I remember the day they killed us—’And someone would remind me that I was still alive.” She goes to live in the home of her uncle, Kamanzi, from which she’s escorted on errands by a Tutsi soldier, Shema. Although the genocide has ended, bitter feelings still exist on both sides, and Karabo’s multiethnic identity puts her at odds with nearly everyone around her. Her Tutsi peers at school berate her for being part of a family that included a leader of one of the death squads, and Shema (who’s unaware of Karabo’s mother’s ethnicity) says that he could never be at peace with a Hutu—or even the relative of one. There are Hutus who opposed the genocide, and who are kind to Karabo: her classmate Sugira, and her mother’s brother, Gasana. Even with them, however, tensions arise as everyone remembers their own versions of the past. As Karabo goes to college and falls in love, she’s forced to confront the ongoing tragedies of her nation. Umwagarwa’s prose, as narrated by Karabo, pops with inventive turns of phrase: “Electrical chemistry bounced in my heart. It punctured my stomach and the upper level of my legs. I wondered if that was what they called love.” The author is, like her protagonist, a survivor of the 1994 genocide, and as such, she offers a complex and empathetic perspective on its difficult aftermath. She also adeptly highlights the interrelatedness of Rwanda’s warring groups over the course of the novel. Although the pace is often plodding, overall, Karabo’s story provides readers with an illuminating investigation into the ways that people can dehumanize one another.

A thoughtful, if somewhat slow-paced, story of post-genocide Rwanda.

Pub Date: Sept. 27, 2018

ISBN: N/A

Page Count: 283

Publisher: Dog Ear Publisher

Review Posted Online: Sept. 21, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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