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AFTERMATH

LIFE IN THE FALLOUT OF THE THIRD REICH, 1945-1955

An absorbing and well-documented history of postwar Germany.

An illuminating study of the decade following the defeat of the Third Reich.

In his engrossing first book, Jähner, the former editor of the Berlin Times, examines how and why Germany was capable of radically transforming from a sinister fascist mindset toward a modern democratic state. The author presents an expansive yet sharply probing overview of the period, reaching across political, social, and geographical spheres to draw a lucid portrait of a country reeling from the stark consequences of being on the losing side of a horrendous war. “The intention of this book,” writes the author, “has been to explain how the majority of Germans, for all their stubborn rejection of individual guilt, at the same time managed to rid themselves of the mentality that had made the Nazi regime possible.” Jähner chronicles the political events that transpired during the time period and weaves in personal stories from the correspondences of ordinary citizens and eyewitness accounts from noted writers such as Hannah Arendt that articulate the desperate spirit of the era. The author vividly describes the physical chaos impacting cities such as Dresden, Berlin, and Hamburg that were slowly trying to rebuild. As Jähner notes, “the war had left about 500 million cubic metres of rubble behind,” and he offer striking portraits of the grim realities faced by the millions of forced laborers and prisoners of war returning home to strained marriages and relationships. “Many marriages with the Heimkehrer [homecomer] husbands collapsed because each partner felt nothing but disdain for what the other had endured,” he writes. “It wasn’t just women who felt a lack of recognition, the men did too. Many soldiers only really grasped that they had lost the war when they returned to their families.” An immediate and long-lasting bestseller when it was published in Germany in 2019 and the winner of the Leipzig Book Fair Prize, Jähner’s shrewdly balanced look at postwar Germany is sure to spark the interest of readers across the world.

An absorbing and well-documented history of postwar Germany.

Pub Date: Jan. 11, 2022

ISBN: 978-0-593-31973-4

Page Count: 416

Publisher: Knopf

Review Posted Online: Oct. 6, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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THE STORY OF ART WITHOUT MEN

An overdue upending of art historical discourse.

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An indispensable primer on the history of art, with an exclusive focus on women.

Prominent 19th-century art critic John Ruskin once proclaimed, “the woman’s intellect is not for invention or creation, but for sweet ordering, arrangement, and decision,” and traces of this misguided and malignant sentiment can still be found over a century later in art institutions around the world. A 2019 study found that “in the collections of eighteen major US art museums, 87 percent of artworks were by men, and 85 percent by white artists.” There’s a lot to be mad about, but London-based art historian Hessel nimbly pivots that energy into a constructive, revelatory project. This book is not a mere rebuttal to the aforementioned discrimination; deftly researched, the text reveals an alternate history of centuries of artistic movements. With palpable excitement, the author shifts the focus from widely known male participants to the unsung female players of the time. Art aficionados will delight in Hessel’s sleight of hand and marvel at her wide, inclusive reach. Spanning from Baroque art to the present day, she effortlessly removes “the clamour of men” and, in a series of short biographical profiles, shapes a historical arc that still feels grounded even without a familiar male presence. Art history must “reset,” Hessel writes, and she positions her book as an important first step in that reconfiguration. While the author progresses mostly movement by movement, her broader tangents are particularly profound. One of many highlights is a generous overview of queer artists of the Weimar era. Hessel is occasionally uneven with how much content she allots each artist, and some perfunctory profiles feel like the result of trying to highlight as many names as possible. Nonetheless, even the shortest gloss provides enough intrigue to be a successful introduction to an artist who might otherwise be forgotten.

An overdue upending of art historical discourse.

Pub Date: May 2, 2023

ISBN: 9780393881868

Page Count: 512

Publisher: Norton

Review Posted Online: Feb. 16, 2023

Kirkus Reviews Issue: March 15, 2023

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THE UNDOCUMENTED AMERICANS

A welcome addition to the literature on immigration told by an author who understands the issue like few others.

The debut book from “one of the first undocumented immigrants to graduate from Harvard.”

In addition to delivering memorable portraits of undocumented immigrants residing precariously on Staten Island and in Miami, Cleveland, Flint, and New Haven, Cornejo Villavicencio, now enrolled in the American Studies doctorate program at Yale, shares her own Ecuadorian family story (she came to the U.S. at age 5) and her anger at the exploitation of hardworking immigrants in the U.S. Because the author fully comprehends the perils of undocumented immigrants speaking to journalist, she wisely built trust slowly with her subjects. Her own undocumented status helped the cause, as did her Spanish fluency. Still, she protects those who talked to her by changing their names and other personal information. Consequently, readers must trust implicitly that the author doesn’t invent or embellish. But as she notes, “this book is not a traditional nonfiction book….I took notes by hand during interviews and after the book was finished, I destroyed those notes.” Recounting her travels to the sites where undocumented women, men, and children struggle to live above the poverty line, she reports her findings in compelling, often heart-wrenching vignettes. Cornejo Villavicencio clearly shows how employers often cheat day laborers out of hard-earned wages, and policymakers and law enforcement agents exist primarily to harm rather than assist immigrants who look and speak differently. Often, cruelty arrives not only in economic terms, but also via verbal slurs and even violence. Throughout the narrative, the author explores her own psychological struggles, including her relationships with her parents, who are considered “illegal” in the nation where they have worked hard and tried to become model residents. In some of the most deeply revealing passages, Cornejo Villavicencio chronicles her struggles reconciling her desire to help undocumented children with the knowledge that she does not want "kids of my own." Ultimately, the author’s candor about herself removes worries about the credibility of her stories.

A welcome addition to the literature on immigration told by an author who understands the issue like few others.

Pub Date: May 19, 2020

ISBN: 978-0-399-59268-3

Page Count: 208

Publisher: One World/Random House

Review Posted Online: Jan. 14, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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