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BLOODLIGHT

THE APOCALYPSE OF ROBERT GOLDNER

A gritty story of a tough boy in a bad situation, weighed down by its competing genres.

In Grey-Sun’s (Broken Angels, 2012) novel set in an ambiguously dark future, a high school wrestler deals with girl problems, bullies and intense visions.

After attending a wild party, Robert, a quiet but tough high school wrestler, finds himself in an increasingly large mess. His girlfriend, Leigh, is upset that he went to the party without her, and he tries to think of ways to make it up to her. Plus, upon leaving the party, he finds his best friend, Davin, passed out in the snow. As Davin recovers in the hospital, Robert has no one to talk to about his problems with Leigh—or about the strange things he’s been seeing lately: living snowmen, bodies stripped of their skin, his own hair removing itself from his head in a whirlwind of color. He suspects that they’re hallucinations brought on by his strangely strong acne medication, and these visions will likely be just as mystifying for readers. The story takes place in an alternate or near-future America in which the president has been murdered by the first lady, resulting in heightened security around the country. Robert also lives in a deeply intolerant part of Virginia, where race issues between black students and white students are magnified; Robert is black and Leigh is white, which means they have to keep their relationship secret. When Robert’s visions start to affect his wrestling performance, he’s hit with jeers from both his white and black teammates. Three types of stories seem to be competing here—fantasy, realism and dystopia—with little connection among them, which may strike readers as overly ambitious and confusing. As a result, the story might have been better served by either developing the relationships among the separate plotlines or by taking one approach—the realistic elements here are the strongest—and focusing on that single aspect of Robert’s life.

A gritty story of a tough boy in a bad situation, weighed down by its competing genres.

Pub Date: Feb. 7, 2013

ISBN: N/A

Page Count: 160

Publisher: BookBaby

Review Posted Online: March 8, 2013

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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