An aural and visual immersion like no other, showing the dimensions that “books” can explore onscreen that they can’t in...
A visionary e-book exploring the medium’s multimedia possibilities while offering meditations on the sounds of New York and the life and work of the late street composer Moondog.
Though Kunzru has earned international acclaim for his novels (Gods Without Men, 2012, etc.), he has never written anything quite like this—and neither has anyone else. In fact, “written” might be the wrong word, for this melding of sense, sound and illustration might as well be described as having been constructed, designed or curated. The content of the 6,200-word “immersive essay” can’t be separated from the way readers apprehend the words on the screen. Often, a page of text reveals itself in sections, with different typography, all the while accompanied by the sounds of the city and the percussion of Moondog. As a newcomer to the city transplanted from England, Kunzru chose Moondog as his guide, notwithstanding the fact that the musician was blind and had died in 1999. The author, whose brother is blind, thought that what some might see as a handicap could be a virtue: “The blind develop an appreciation for precision, repetition, knowability.” Though Moondog left New York in 1974 for Germany, his music, influence and legacy live on. As someone who once lived in the spare room of composer Philip Glass and performed with musicians as disparate as Charlie Parker, Peter Seeger and Tiny Tim, the composer and percussionist embodied something essential and ineffable about New York for the newcomer. Kunzru’s meditation reflects not only what remains of Moondog’s legacy, but what has changed so profoundly over the city’s subsequent decades. This work reflects the experience of Kunzru’s first six months in the city, six years ago; he has now married and moved to Brooklyn.
An aural and visual immersion like no other, showing the dimensions that “books” can explore onscreen that they can’t in print.Pub Date: May 20, 2014
ISBN: 978-1-937894-34-4
Page Count: 96
Publisher: Atavist Books
Review Posted Online: May 17, 2014
Kirkus Reviews Issue: June 1, 2014
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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