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LINCOLN ON WAR

A wisely chosen, expertly arranged collection.

One of the world’s foremost Lincoln scholars offers a selection of the president’s writings and remarks on war, its conduct, trials, horror and meaning.

From his inauguration to his assassination, Lincoln fulfilled the role of commander in chief so skillfully as to become a model for succeeding presidents—reason enough, Holzer (Lincoln and New York, 2009, etc.) argues, to understand clearly the Lincoln record. For this project’s purposes, the author divides the president’s career into three parts: the young Lincoln, a period that included his brief, volunteer captaincy during the Black Hawk War and his stint as a dovish Congressman opposed to the Mexican War; the presidency from 1861 to ’62, during which Lincoln struggled to master warfare’s tools and tactics, to govern his military and civilian subordinates and to shape public opinion; and the war’s final years, when the slaughter only increased before Lincoln’s will and wisdom finally prevailed. From speeches and letters (sent and unsent), grand declarations, official messages and proclamations, orders, telegrams and instructions, hasty memoranda, informal notes and revealing private comments, Holzer assembles the president’s thinking on war, prefacing each selection with helpful remarks providing necessary context. Some of these documents are famous—e.g., the Gettysburg Address—while others are obscure. Some contain deathless rhetoric since memorized by all Americans, while some are merely homespun words (e.g., his battle advice to U.S. Grant: “Hold on with a bulldog gripe [sic] and chew & choke, as much as possible”) that demonstrate simultaneously Lincoln’s untutored prairie origins, his talent for the arresting phrase and his military resolve. All combine to illustrate the Holzer’s thesis that Lincoln, without ever taking the field, waged war with “the most powerful weapon at his disposal: his pen.”

A wisely chosen, expertly arranged collection.

Pub Date: April 12, 2011

ISBN: 978-1-56512-378-6

Page Count: 320

Publisher: Algonquin

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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