Returning from the dead for yet another encore, two headline-making names, boy king Tutankhamen and megaselling Robbins, partnered once again by living collaborator Podrug, power another case for antiquities investigator Madison Dupre.
All right, “power” may not be the most exact word for this shrill, inept thriller. To be sure, Madison, tossed out of her cushy curatorial post at New York’s Piedmont Museum after a spot of high-profile trouble (The Looters, 2007, etc.) and forced to live from one freelance check to the next, takes it very seriously indeed when someone shows up at her apartment door and tries to kill her. But well-informed readers already know that Fatima Sari’s heart isn’t in the job she’s taken on for the evil mastermind codenamed Sphinx; after all, the weapon is a letter opener, she wields it with little conviction and soon after her failed attempt at murder she’s thrown herself under the wheels of a subway, leaving the heroine, who witnesses her death, to wonder why Dr. Mounir Kassem has hand-picked Madison to authenticate the Heart of Egypt, a scarab Sir Jacob Radcliff looted from King Tut’s tomb back in 1922. Now that the scarab’s been stolen from the Radcliff collection and held for ransom, its owners, if that’s what you want to call them, need to make sure they’re paying for the real thing and not a counterfeit executed by Jeremy Botwell or Quintin Rees. Desperate for cash, Madison signs on and flies to Cairo, where Egyptian police officer Rafi al Din, whose daughter Dalila is dying of leukemia, promptly confiscates her passport and takes her to bed. There’ll be more featherweight adventures, confrontations, double-crosses, revelations, couplings and triplings, but zero atmosphere or sense of place as the characters hurtle from one picture-postcard location to the next. Madison’s summary nails it: “Murder, madness, and greed swirled around me like a Mojave dust devil.” You go, girl.
Pub Date: Dec. 1, 2011
ISBN: 978-0-7653-2714-7
Page Count: 320
Publisher: Forge
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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