Which industry’s next? Ghostwriting?
Robbins’s fifth postmortal work again alternates splendid pulp with thudding prose.
Each Robbins epic features a new venue for bottomless greed. Sin City (2002) took us behind the scenes at Vegas, Never Enough into the secrets of Wall Street and illegal trading, and The Secret into Victoria’s Secret with its nose deep into thongs and Brazilian wax jobs. The mistitled Heat of Passion (it should be Cold Passion) has its stunningly well-written passages (for a Robbins novel) about the secrets of the diamond industry, quite haunting passages of research afloat on a steaming sea of sex, all of it blood-pounding, pelvic, and vulgar. It’s breakfast with a Cartier or Harry Winston catalogue while gobbling a stack of buttery sugared cinnamon toast. Win Liberte was born in a taxicab on the afternoon Kennedy died. His gem of a mother dies when he’s young, and he’s raised by his grandfather and father, who buy rough diamonds wholesale on 47th Street and sell them as cut stones. Dad remarries, and Win now has an older stepbrother, Leo, who delights in evaluating diamonds while Win cares nothing for the industry. When Dad dies, Win inherits a business handled for him by his uncle and stepbrother while hormonal Win devotes himself to boats and “clits.” But when Uncle loses the company funds and Leo rips him off, Win is left penniless, with all his property under lien—except for a diamond mine in Angola that no one will buy because of the Angolans’ endless civil strife. Win heads for the mine, makes a go of it against vastly bloody odds, then finds himself facing the worldwide De Beers monopoly. “Harold’s” grossest scene is hard to choose, though a standout is Win’s pronging the 18-year-old daughter of his former lover when the mother, who’d once tried to kill him, walks in and wraps her cold fingers around his tool: “My blood ignited and I felt the lead rising in my pencil.”
Which industry’s next? Ghostwriting?Pub Date: Oct. 29, 2003
ISBN: 0-765-30002-8
Page Count: 448
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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