by Harold Robbins ‧ RELEASE DATE: June 27, 1991
A novel that wavers between fireball excitement and abysmal vulgarity, that leaves the reader dazed with complexities and a feeling that greater spiritual health might have resulted through never having read it—though zillions will. Robbins is no clearer this time out than he's ever been. The sex-and-cocaine-driven, power-hungry plot begins with such rapid editing and scene-switching that the reader's feet barely get grounded before they're somewhere else: For about a third of the novel it's straight action/adventure on the Amazon; then the byzantine plot becomes Robbins's fettuccine Alfredo, with strands dipping and whipping and doubling back until even the main characters don't know who's on whose side—and even the most unaware reader realizes that Robbins's storytelling is as important as his story. If you can follow it, Robbins has failed. Jed Stevens (formerly Di Stefano) is induced by his Mafia cousin Angelo into a trip up the Amazon that turns out to be a big coca-leaf buy; they are accompanied by beautiful translator Alma, who is immensely proud of her ``Peruvian pussy''—but they are attacked by mestizos, Angelo is eaten by piranhas, and Alma gets Jed out of Peru and back to Manhattan, where Jed's Uncle Rocco (Angelo's father) is top capo and wants Jed to join him in the Mafia except that Jed wants to get into airlines and with a big loan from Uncle Rocco buys fleets of jetliners and rents them out to small countries but then finds himself involved in huge junk-bond deals and more or less legitimate credit scams while Uncle Rocco unsuccessfully tries to retire from the Mafia so that he can die with honor at home in bed rather than by a hail of bullets during a time when lead-filled bodies are falling on every other page and surreal financial deals are clinched by world-hopping satyrs and girls who say, ``Would you like some pussy pie? But just remember, you'll have to lick your fingers, it's very, very juicy.'' Unclean, unclean!
Pub Date: June 27, 1991
ISBN: 0-671-52479-8
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
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by Harold Robbins and Junius Podrug
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by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Han Kang ; translated by Deborah Smith & Emily Yae Won
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by Bandi translated by Deborah Smith
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by Han Kang translated by Deborah Smith
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by Gail Honeyman ‧ RELEASE DATE: May 9, 2017
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.
A very funny novel about the survivor of a childhood trauma.
At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.
Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.Pub Date: May 9, 2017
ISBN: 978-0-7352-2068-3
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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