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A PLACE FOR US

While a story with this many characters could have felt disjointed, here they are interwoven tightly to create a single,...

A scattered family comes together for a mysterious announcement in Evans’ (Not Without You, 2014) latest novel.

From an English estate called Winterfold, Martha Winter sends out invitations for her 80th birthday party with a puzzling statement: “There will be an important announcement. We ask that you please be there.” Only her husband, David, a well-known cartoonist, knows what this announcement might be. The Winters have been fixtures in their Somerset village for 45 years, raising their three children, Florence, Bill, and Daisy, there, though both Martha and David come from humble backgrounds in London’s East End. Now only their son Bill lives nearby. Daisy hasn’t been seen in years after having gone off to do charity work in India, and Florence is an art history professor in Italy. All three children, though successful in their careers, seem to fail when it comes to personal relationships. Bill is on his second marriage, Daisy abandoned her daughter, Cat, and seems to want little to do with the family, and Florence is an awkward spinster in love with a man who treats her with disdain. Told from the perspectives of various family members as they receive Martha’s invitations, it’s clear this family’s story is full of unanswered questions. How did Martha and David come to Winterfold, and what were they running from? Why did Daisy disappear, and will she make an appearance at the party? Why did Florence always feel like an outsider in her own family? And of course, what is Martha’s big announcement? These questions create a quiet suspense, and their surprising answers come at a satisfying pace. Each of the characters is distinct and sympathetic, and the tensions in the family are often treated with a comic touch even in the midst of tragedy.

While a story with this many characters could have felt disjointed, here they are interwoven tightly to create a single, absorbing tapestry.

Pub Date: June 2, 2015

ISBN: 978-1-4767-8678-0

Page Count: 432

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 28, 2015

Kirkus Reviews Issue: April 15, 2015

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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