by Harriet Evans ‧ RELEASE DATE: Feb. 11, 2014
A Star Is Born meets All About Eve, Evans’ (Happily Ever After, 2012, etc.) latest deftly weaves together tales of old and...
A-list movie star Sophie Leigh has had enough of cheesy chick flicks, but her agent won’t hear of her turning down The Bachelorette Party, not with gorgeous Patrick Drew already signed on to co-star.
Like her idol, Eve Noel, a 1950s starlet, Sophie has little control over her career—not if she wants to make money for the box office, that is. Hollywood producers changed Eve’s name, her wardrobe and even her hairline to generate cinematic hits. Eventually, she’s even told to marry the much older, more powerful, but very dangerous actor Gilbert Travers. Yet, the industry can’t erase her memories of her sister Rose’s drowning or her own inconvenient love for Don Matthews, a powerless, alcoholic, yet loving screenwriter. After discovering their tryst, Gilbert arranges to have Don eliminated from her life. And one day, Eve disappears. Sixty years later, Sophie still has to change her name and endure not only arranged dating, but also a paparazzi-fueled public that turns a little sweat into Armpitgate. Inspired by Eve’s film A Girl Named Rose, Sophie’s determined to shepherd through the system her own independent film. Although it needs some work, My Second-Best Bed has the potential to be a real film. Troubles escalate when someone begins sending threatening notes and sneaking into Sophie’s home to leave white roses on her bed. Can she trust her co-star? Her director? Her new assistant? As Sophie tries to advance her project and solve the mystery of Eve’s disappearance while avoiding her stalker, her life becomes more and more entwined with Eve’s. Soon, it’s Eve who holds the keys to Sophie’s survival.
A Star Is Born meets All About Eve, Evans’ (Happily Ever After, 2012, etc.) latest deftly weaves together tales of old and new Hollywood, allowing star-crossed romance, mystery and danger to collide in surprising and often devastating ways.Pub Date: Feb. 11, 2014
ISBN: 978-1-4767-4603-6
Page Count: 400
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 21, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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BOOK REVIEW
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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BOOK REVIEW
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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