A solid sophomore outing that will have readers looking for more from this talented author.
Humorist Key (English/Savannah Coll. of Art and Design) follows up his Thurber Prize–winning memoir, The World’s Largest Man (2015), with a book about the quiet indignities of being an author.
In his second book, following his collection of hilarious essays about his father, the acerbic and brutally honest author chronicles the abject lows and soulful highs of becoming a published writer. In gritty detail, Key ably deconstructs the messy arc of the writing and publishing process. Inspired by Douglas Adams but living under the pendulous weight of artists like William Faulkner and Eudora Welty, the author was in his late 20s before he finally committed to his dream of writing “a funny book.” Tolerated by his eternally patient and lovingly sarcastic wife and three daughters, Key achieved his dream when HarperCollins bought the book for over $300,000 after a seemingly aggressive bidding war. The tales are consistently funny, as the author chronicles how he took his mother and daughters on a seemingly endless book tour while experiencing visions of being interviewed by Terry Gross on Fresh Air and learning about the mortification of bookstore events. For all of his biting wit, Key’s love of writing is what shines through in the end: “A story is an old-fashioned treasure hunt, and what makes it so very hard for the writer is that when you start to write, you don’t necessarily know the nature of the treasure or even what the map looks like. All you need is a human with an empty place inside them they’re hoping to fill. That’s what a story is. We turn the page because we all have the hole in us, too, and we’re all trying to fill it and we’re hoping the story will give us some ideas about how to do that.”
A solid sophomore outing that will have readers looking for more from this talented author.Pub Date: Nov. 6, 2018
ISBN: 978-0-06-284330-2
Page Count: 368
Publisher: Perennial/HarperCollins
Review Posted Online: Sept. 2, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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