Impressive scope and vivid detail don't redeem this violent and misanthropic novel of a killer's journey across the Old West, by the author of Kill Devil Hill (1979). On a Colorado ranch in 1916, the elderly Cat Brules tells his story to a college-age listener. He begins in Hays City, Kans., where in 1867 he has just quit his job and plans to rob a Texas bank with his old friend Pedro. Brules has a night of wild sex with a prostitute named Michelle; returning to her room on the following night, he finds his former boss beating the woman. Brules kills him and must flee Hays City with Michelle. After traveling several days with little food or water, they cross paths with Pedro and decide to follow his trail markings southward. Comanches soon capture Brules and Michelle, torturing him and roasting her alive. Brules shoots his way out of the camp, only to find Pedro's remains further down the trail. He begins an Indian-killing spree to avenge his two friends' deaths, but after a Shoshone woman named Wild Rose nurses him back to health following a grizzly bear attack, his opinion of Native Americans changes. Brules and Wild Rose marry, have a daughter, and build a cabin. After a horse tramples his wife to death, Brules gives their child to the care of the Shoshone and lives the rest of his life in solitude. Many unnecessary digressions make this novel far too long. Its violence, moreover, is off-putting: Combs clearly intends Brules's hatred of Indians to reflect Old West attitudes, but the fugitive's racism becomes grating over the course of 500 pages; the 100 pages of domestic bliss following his marriage to Wild Rose cannot change the protagonist's brutal image. The bloodshed and bravado may thrill some shoot-'em-up enthusiasts, but this story is as flat as the western desert. (Author tour)
Pub Date: June 1, 1994
ISBN: 0-385-31195-8
Page Count: 608
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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