by Harry Freedman ‧ RELEASE DATE: Oct. 14, 2014
Freedman brings impressive research to the biography of a 2,000-year-old text that still excites scholars, inspires...
A history of the Jewish people as reflected in its central text.
The Talmud, Freedman (The Gospels' Veiled Agenda: Revolution, Priesthood and the Holy Grail, 2009, etc.) explains in this capacious history, is an “arcane and obscure” compendium of interpretations of the Hebrew Bible. Containing nearly 2 million words, the original Talmud recorded discussions that took place among scholars in Babylon between the third and fifth centuries. Although the Talmud is now considered “the final authority on Jewish religious law and practice,” it began as an academic exercise of biblical exegesis, with analyses transmitted orally. “Talmudic scholars would happily base their rulings on it when responding to inquiries,” the author writes, “but they weren’t particularly bothered about laying it out in front of the masses as an object of study.” Once the Talmud became fixed in writing, it took on the function of law, and it became the focus of waves of anti-Semitism. Copies in France were destroyed in 1242, when Pope Gregory IX, in a sweeping condemnation of Jews, ordered the text to be burned. From 1553 to 1559, all copies found in Rome went up in flames. In creating the biography of a book, Freedman offers biographical sketches of major figures involved in its story, including the 11th-century rabbi known as Rashi, whose commentary forms part of the modern Talmud; Maimonides, “a giant on the Tamudic stage”; and Baruch Spinoza, a philosopher whose ideas challenged the teachings of the Talmud. The modern Talmud is a layered work, comprising quotations from the Mishnah, a codification of Jewish law written in the second to third centuries; Babylonian commentaries; additions by the original editors of the Talmud; and later material intended to provide introductions and conclusions to various topics.
Freedman brings impressive research to the biography of a 2,000-year-old text that still excites scholars, inspires controversy and reflects turbulent events in Jewish history.Pub Date: Oct. 14, 2014
ISBN: 978-1472905949
Page Count: 256
Publisher: Bloomsbury
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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