by Harry Mathews ‧ RELEASE DATE: Sept. 1, 1994
There are no safe places for the disintegrating self, not even the private journal; that is what the unnamed ``journalist'' discovers in this teasing, lightly involving novel from Mathews (Singular Pleasures, 1993, etc.). Middle-aged, middle-class, he lives in a college town in an unidentified country. He has an unglamorous office job, a loving wife (Daisy), an equally loving mistress (Colette), and a lovable if enigmatic son in high school (Gert). Daisy and his doctor, worried about his mental state, suggest he keep a journal, and he starts his new project with zest, seeing it as a ``a hold on reality,'' a way of reconciling his two selves—the one that experiences life with the one that observes it. Soon enough, however, this journal, which he had envisioned as an instrument of control, turns into a tyrant that controls him. He becomes obsessed with the right way of classifying experience, and the margins sprout headings and subheadings like weeds. Meanwhile, his relationships are suffering. Daisy turns secretive, and his best friend, Paul, is avoiding him. Could they be having an affair? Why is Gert suddenly so friendly with Colette: More mischief? And why is there never enough time for his lonely task of keeping his journal and getting it right? He cuts back on sleep (his love life is already a thing of the past) and uses the office for his writing, until his boss forces him to take indefinite leave. ``I've lost them,'' he acknowledges, referring to all the people in his life, just before his final dissolution and hospitalization, when a new narrative voice supplies rather too pat explanations for all the puzzles. Not as bleak as it sounds. Mathews chronicles his diarist's dilemma with humor and gentle irony; his slide into the abyss occasions more bemusement than terror.
Pub Date: Sept. 1, 1994
ISBN: 1-56792-007-1
Page Count: 252
Publisher: Godine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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