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HEROES DON’T RUN

A NOVEL OF THE PACIFIC WAR

The battle for Okinawa, in 1945, was the last major battle of WWII, and Adam Pelko enlisted just in time to be there. His father had died at Pearl Harbor and Adam hopes to honor him by fighting admirably. But the war is horrible, and Adam comes to know war, death and injury for the first time, returning home a changed man. It’s a familiar story, told here in telegraphic, first-person prose, strong on plot but short on character development, perfect for the reluctant or inexperienced reader. The historical note is the best part of this volume, full of interesting details about the battle and the end of the war. Timed to coincide with the anniversaries of V-J Day and the end of WWII, this conclusion to the trilogy begun with A Boy at War: A Novel of Pearl Harbor (2001) and A Boy No More (2004) will attract young history enthusiasts and be valuable in school units on the war. (Fiction. 9-14)

Pub Date: July 1, 2005

ISBN: 0-689-85534-6

Page Count: 128

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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COACH

From the Track series , Vol. 5

A beautifully executed victory lap for a beloved series.

An origin story for the man who provides wisdom and a sense of cohesion for the young runners who star in Reynolds’ celebrated series.

Years before Coach guided the members of the Defenders through hurdles on and off the field, he was a 12-year-old boy known as Otie. Otie’s a gifted runner, though impulsive (as his mother says, “Your body’s fast, but your mind don’t always move at the same speed”), and he’s thrilled to learn that the scout who helped his idol, Carl Lewis, make it to the 1984 Olympics four years ago will be arriving soon to assess the talent on his team. His loving parents encourage him—and do their best to keep him away from the influence of the Clippers, a gang that sells drugs in his predominantly Black neighborhood. When his father, who’s frequently away for work, returns with a gift of Jordans, Otie is even more excited, but the cherished sneakers serve as the catalyst for learning difficult truths about his father. Reynolds does a remarkable job of using pop culture references—from Michael Jackson to Back to the Future—to establish a sense of time and place. As always, his command of language is masterly, with crackling dialogue, propulsive plotting, and adroit characterization: Readers will emerge with a rich portrait of the forces that created the man whose mentorship would have a powerful effect on so many young people.

A beautifully executed victory lap for a beloved series. (Historical fiction. 10-14)

Pub Date: Oct. 14, 2025

ISBN: 9798347102372

Page Count: 256

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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CANDLE ISLAND

The exquisite writing can’t compensate for the story’s overwrought elements.

In Wolk’s latest, a self-contained girl finds companionship in one of the most notoriously unfriendly of places: a Maine island.

Twelve-year-old Lucretia and her mother, both artists, have moved to fictional Candle Island for the isolation; grieving the recent loss of Lucretia’s father and with a big secret to keep, they need to be where, as her mother says, “they’ll let us be who we are.” Lucretia soon draws the ire of prickly Murdock and the tentative friendship of Bastian, her cousin, two townies with secrets of their own. Among the island’s summer people are a nosy art critic and three young sociopaths, who all complicate life for Lucretia and her mother, though in very different ways. At a sentence level, this work glows. Lucretia hears sounds as colors (although synesthesia goes unmentioned), layering them onto her narration the way she applies her oils to canvas. Wolk’s characterization and plotting, however, waver. The children too often speak with a formality that’s not attributable to the late 1960s / early ’70s setting, and Lucretia’s self-possession frequently makes her feel far older than 12. The tense cultural backdrop would be an effective one for the exploration of Wolk’s themes were it not for the three summer kids’ flagrant evil, which leaches the story of its subtlety. Most characters present white.

The exquisite writing can’t compensate for the story’s overwrought elements. (Historical fiction. 10-13)

Pub Date: April 22, 2025

ISBN: 9780593698549

Page Count: 352

Publisher: Dutton

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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