STUDENTS FOR A DEMOCRATIC SOCIETY

A GRAPHIC HISTORY

Learned, passionate and accessible history of the first order, casting a critical but mostly benevolent eye on an...

The story of the legendary 1960s student-activist group, in words and pictures.

With the acceptance of graphic novels and nonfiction into the mainstream, Pekar (Macedonia, 2007, etc.) seems to have more work than ever—you can almost hear his curmudgeonly grumbling about deadlines—and he has branched out beyond the autobiographical writings showcased in issues of American Splendor. As witness this graphic history of Students for a Democratic Society (SDS): written mostly by Pekar, supplemented by several former SDS members; edited by Buhle, founding editor of the SDS journal Radical America, who also wrote several sections; with effective art by frequent Splendor collaborator Dumm. Although he’s never been shy about his angry leftist political leanings or about shoving himself into a narrative, Pekar keeps almost entirely in the background here as the book parses the minutiae of SDS’s creation, rise to prominence, post-Nixon splintering and, very briefly, its resurgence in 2006. Founded in 1960 as an offshoot of various lefty-labor organizations that traced their lineage back to Upton Sinclair in 1905, SDS quickly alienated more staid elements of the Old Left with its emphasis on personal freedom, solidarity with the civil-rights movement and vehement antiwar stance. Throughout the mid and late ’60s, SDS grew in numbers, leading demonstrations and publishing agitprop journals in cities and campuses across the nation, while it was simultaneously riven from within by agent provocateurs and fractious infighting among factions like the Weathermen and doctrinaire Marxists. Eschewing a standard time line, many of the book’s later pages offer journal-like contributions from rank-and-file members, who provide snapshots of the life-altering struggle they were engaged in—often with a self-deprecating nod to its more naïve aspects.

Learned, passionate and accessible history of the first order, casting a critical but mostly benevolent eye on an often-contradictory movement.

Pub Date: Jan. 15, 2008

ISBN: 978-0-8090-9539-1

Page Count: 224

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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