Next book

SOMETHING RISING (LIGHT AND SWIFT)

A bit too lugubrious for an elegy, a bit too lighthearted for a caper: still, a serviceable account of a young woman finding...

Second-novelist Kimmel (The Solace of Leaving Early, 2002, etc.) describes a young pool hustler’s coming of age in rural 1980s Indiana.

Cassandra (“Cassie”) Claiborne has a father bad enough to be hated but too memorable to be forgotten. Jimmy Claiborne met Cassie’s mother Laura in a diner in New Orleans, where Laura worked as a waitress. Genteel and quintessentially southern, Laura comes across as a tragicomic figure in the tradition of Blanche DuBois, forever pining for the childhood innocence she lost when she made her one great mistake: falling in love with Jimmy. Throwing over any number of other badly smitten suitors, she moved north with him to Indiana, where he almost immediately began abandoning her for weeks or months at a time as he pursued his passion for gambling in general and pool especially. Cassie and her older sister Belle grew up used to their father’s long absences and their mother’s rambling laments for the world that she left behind in New Orleans. Temperamentally different (Belle is intellectual and timid, Cassie forceful and ingenious in a tomboyish kind of way), the two sisters are united in their resentment of Jimmy, who eventually shacks up with his trailer-trash girlfriend and files for divorce after the fact. Cassie emulates her father in one respect only: pool, which she learned at an early age from watching him hustle. By the time she’s in her teens, Cassie is more than her father’s equal, and she uses her skill not only to support her abandoned mother and sister but (in a revenge match equal to anything in The Hustler) to repay Jimmy for all his years of neglect.

A bit too lugubrious for an elegy, a bit too lighthearted for a caper: still, a serviceable account of a young woman finding her own way in a twilit world of regret and loss.

Pub Date: Jan. 6, 2004

ISBN: 0-7432-4775-2

Page Count: 288

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview