Overwritten, lugubrious and self-consciously oblique.

IODINE

Kimmel (The Used World, 2007, etc.) tells the story of an unbalanced Indiana college girl who may have been abused in childhood.

The novel’s first sentence, “I never had sex with my father but I would have, if he had agreed,” sets the tone. Trace Pennington, who goes to college under the name Ianthe Covington, drops a seminar on “the wounded woman.” It’s a good label for the burgeoning genre of novels like Kimmel’s about brilliant, beautiful, abused females. Trace is certainly the classic “wounded woman” heroine: She’s poor; she’s goth lovely with striking eyes; she keeps a dream journal; she lives in an abandoned farmhouse; and she’s first in her class. Oh, and she may be insane. Trace shares her sordid past in bits and pieces along with large helpings of psychological theorizing heavy on Freud, Jung and James Hillman but also ranging from Greek mythology to Carl Sagan. Occasionally Trace sneaks back to her hometown to visit her friend Candy, who lives in a broken-down trailer with her kids. Candy confides she’s been visited by aliens—the same way Trace may have been as a child; one night she was found wandering outside in the woods by her house. Trace sometimes explains her wandering as the aftermath of an encounter with aliens. She also claims to have been tortured by members of her mother’s church as part of an exorcism ceremony. The youngest of three children, Trace clearly considers her mother cruel and abusive, her father a broken saint. In her final year in college, Trace becomes passionately involved with Jacob, a psychology professor who marries her and molds her into a proper faculty wife. Although Trace isn’t sure whether Jacob, whose first wife disappeared, is a Pygmalion or a Bluebeard in her life, readers will suspect that he is just a pretentious jerk. After a stay in the hospital Trace begins to put the jigsaw pieces of her past into some kind of order. Or not.

Overwritten, lugubrious and self-consciously oblique.

Pub Date: Aug. 5, 2008

ISBN: 978-1-4165-7284-8

Page Count: 240

Publisher: Free Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2008

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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