Overwritten, lugubrious and self-consciously oblique.
Kimmel (The Used World, 2007, etc.) tells the story of an unbalanced Indiana college girl who may have been abused in childhood.
The novel’s first sentence, “I never had sex with my father but I would have, if he had agreed,” sets the tone. Trace Pennington, who goes to college under the name Ianthe Covington, drops a seminar on “the wounded woman.” It’s a good label for the burgeoning genre of novels like Kimmel’s about brilliant, beautiful, abused females. Trace is certainly the classic “wounded woman” heroine: She’s poor; she’s goth lovely with striking eyes; she keeps a dream journal; she lives in an abandoned farmhouse; and she’s first in her class. Oh, and she may be insane. Trace shares her sordid past in bits and pieces along with large helpings of psychological theorizing heavy on Freud, Jung and James Hillman but also ranging from Greek mythology to Carl Sagan. Occasionally Trace sneaks back to her hometown to visit her friend Candy, who lives in a broken-down trailer with her kids. Candy confides she’s been visited by aliens—the same way Trace may have been as a child; one night she was found wandering outside in the woods by her house. Trace sometimes explains her wandering as the aftermath of an encounter with aliens. She also claims to have been tortured by members of her mother’s church as part of an exorcism ceremony. The youngest of three children, Trace clearly considers her mother cruel and abusive, her father a broken saint. In her final year in college, Trace becomes passionately involved with Jacob, a psychology professor who marries her and molds her into a proper faculty wife. Although Trace isn’t sure whether Jacob, whose first wife disappeared, is a Pygmalion or a Bluebeard in her life, readers will suspect that he is just a pretentious jerk. After a stay in the hospital Trace begins to put the jigsaw pieces of her past into some kind of order. Or not.
Overwritten, lugubrious and self-consciously oblique.Pub Date: Aug. 5, 2008
ISBN: 978-1-4165-7284-8
Page Count: 240
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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