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MANY PRETTY TOYS

A debut novel set in the late “60s, describing the turmoil that overtakes a group of faculty and students at an American university. Academics, as a rule, don—t make the most vivid characters. But when they find themselves thrust into situations of real drama, how do they react? This question was put to the test on a mass scale during the riots and protests of the Vietnam era, when normally deliberative souls were suddenly thrown into political action. Adams (The Academic Tribes, etc.) here focuses on a half- dozen colleagues at State University during the academic year 1969—70. There’s Edward Williams, vice president of the university, and his boyhood friend Jack Emory, chairman of the English department: Emory has just decided against tenure for the popular but unorthodox young Norman Silver, and Williams has backed his decision. On a campus recently politicized by the invasion of Cambodia, this turns out to be a bigger problem than anyone had had reason to expect. Olivia Scott, a student of both Silver and Emory, joins the protests that demand Silver’s reinstatement, and she also takes part in an occupation of the English department’s library, vowing to remain there until the demands of the Strike Committee are met. Emory is no Allan Bloom, but he takes his position in the university and society at large seriously enough to feel disturbed by the whole spectacle. “One of the best arguments for closing down the university, but not one that has been made,” he claims, “is that we are all unfit in these times to think.” His gloom only deepens when the occupation turns into an explosion—and, to his horror, he learns who’s claimed as its victim. An intelligent account of intelligent people trapped within their own intelligence: Adams writes sharply and without favor about a period of history that is almost always considered in strictly partisan terms.

Pub Date: March 1, 1999

ISBN: 0-7914-4085-0

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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