by Heather Cox Richardson ‧ RELEASE DATE: June 1, 2010
Sober but stinging account of one of the saddest chapters in American history.
Richardson (History/Univ. of Massachusetts, Amherst; West from Appomattox: The Reconstruction of America after the Civil War, 2007, etc.) argues that the Wounded Knee massacre was a direct result of Gilded Age political expediency.
The author examines partisan wrangling in the decades after the Civil War that observers of the current scene will find all too familiar. Looking to expand their power, President Benjamin Harrison and a Republican-controlled Congress admitted South Dakota to the Union in 1889. Few in Washington cared that much of the state’s land was the Sioux reservation. The plans of railroad and mining companies, reliable supporters of the Republicans, trumped the welfare of the indigenous peoples. Enlightened whites of the day saw the “civilization” of the Sioux—by which they meant turning them into ersatz whites—as the highest goal for the natives. Others, remembering Custer’s defeat at Little Big Horn, would have been just as happy to see them exterminated. Indian agents, who were usually unqualified if not outright corrupt, doled out rations stingily. So when in 1890 Sioux (and other tribes) responded to the threats to their way of life by adopting the Ghost Dance religion, which promised the disappearance of whites and the return of buffalo and open land, the whites perceived it as a rebellion. The U.S. Army was called in to stabilize the situation. The stakes were raised by an unresolved election that could determine control of the Senate and a power struggle between the Army and the Department of the Interior, which oversaw Indian affairs. The atrocity, during which soldiers mowed down some 300 Sioux men, women and children, was probably preventable, but few of those who participated seemed to know how to stop it—or made any great effort to do so. Richardson brings the actors, both Sioux and white, into clear perspective, and paints the broader context with a deft hand.
Sober but stinging account of one of the saddest chapters in American history.Pub Date: June 1, 2010
ISBN: 978-0-465-00921-3
Page Count: 336
Publisher: Basic Books
Review Posted Online: Jan. 26, 2011
Kirkus Reviews Issue: March 15, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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