A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.
A generous description and analysis of Firing Line, the weekly TV show hosted for three decades by conservative icon William F. Buckley Jr.
Early on, Hendershot (Film and Media/MIT; What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest, 2011, etc.) identifies herself as a liberal, but her work is suffused with a fair and balanced approach to the show that eventually found its home on PBS, where it ran for most of its 33 years (1966-1999). The author’s research is formidable: interviews, major reliance on National Review (the magazine Buckley founded in 1955), and a comprehensive familiarity with the guests and topics on the show, a familiarity clearly acquired by many hours at the video monitor and many hours of reading transcripts. Hendershot’s approach is generally topical and thematic rather than mercilessly chronological. She teaches us about some of the key issues Buckley presented and debated on the program, including Vietnam War crimes, anti-communism, Ronald Reagan’s brand of conservatism, Black Power, and the women’s movement, among others. Continually, Hendershot reveals Buckley’s humor, his enormous vocabulary, his generosity with guests (many of whom he genially eviscerated), and his patrician deference and insistence on decorum. She sometimes becomes a sort of ex post facto judge of the debates, declaring winners and losers. She also shows us the nuts and bolts of the program, especially the determined plainness, even severity, of its simple set and visual effects, virtually unchanged from the show’s inception. Periodically—and especially toward the end—Hendershot attacks the impoverished situation of political debate on TV today, and she notes with sadness the return of conspiratorial thinking, which Buckley had worked hard to shove into the shadows.
A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.Pub Date: Oct. 4, 2016
ISBN: 978-0-06-243045-8
Page Count: 432
Publisher: Broadside Books/HarperCollins
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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