A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.
A generous description and analysis of Firing Line, the weekly TV show hosted for three decades by conservative icon William F. Buckley Jr.
Early on, Hendershot (Film and Media/MIT; What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest, 2011, etc.) identifies herself as a liberal, but her work is suffused with a fair and balanced approach to the show that eventually found its home on PBS, where it ran for most of its 33 years (1966-1999). The author’s research is formidable: interviews, major reliance on National Review (the magazine Buckley founded in 1955), and a comprehensive familiarity with the guests and topics on the show, a familiarity clearly acquired by many hours at the video monitor and many hours of reading transcripts. Hendershot’s approach is generally topical and thematic rather than mercilessly chronological. She teaches us about some of the key issues Buckley presented and debated on the program, including Vietnam War crimes, anti-communism, Ronald Reagan’s brand of conservatism, Black Power, and the women’s movement, among others. Continually, Hendershot reveals Buckley’s humor, his enormous vocabulary, his generosity with guests (many of whom he genially eviscerated), and his patrician deference and insistence on decorum. She sometimes becomes a sort of ex post facto judge of the debates, declaring winners and losers. She also shows us the nuts and bolts of the program, especially the determined plainness, even severity, of its simple set and visual effects, virtually unchanged from the show’s inception. Periodically—and especially toward the end—Hendershot attacks the impoverished situation of political debate on TV today, and she notes with sadness the return of conspiratorial thinking, which Buckley had worked hard to shove into the shadows.
A thoroughly researched work replete with intelligence, admiration, balanced criticism, and even a bit of nostalgia.Pub Date: Oct. 4, 2016
ISBN: 978-0-06-243045-8
Page Count: 432
Publisher: Broadside Books/HarperCollins
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A witty trip through a unique life in the theater.
Reminiscences by one of the pioneers of American avant-garde theater.
Few artists’ lives have been as colorful as that of Gregory. Born in Paris in 1934 to Russian Jewish parents, he lived a privileged life of “private clubs, private schools, debutante balls” once the family left wartime Europe for New York. They spent summers in a California house Thomas Mann rented to them, where they socialized with celebrities like Errol Flynn, with whom his mother had an affair. He discovered a passion for acting when he attended a New York private school “established to train repressed, polite, withdrawn little WASPs.” Much of this book, co-written by London (An Ideal Theater: Founding Visions for a New American Art, 2013, etc.), is a series of vignettes, some more entertaining than others, about Gregory’s artistic and spiritual journey: stage manager jobs at regional theaters, lessons at Lee Strasberg’s Actors Studio, pilgrimages to ashrams in India, and outrageous flourishes in the plays he directed, such as a production of Max Frisch’s Firebugs that featured an actual fire engine onstage and scenes from Hiroshima projected onto a trampoline—a gig that got him fired. The narrative is filled with anecdotes about such luminaries as fellow director Jerzy Grotowski, who had a profound influence on Gregory’s work, and Gregory Peck, who “slugged” him during an argument during the filming of Tartuffe. The highlight for many readers will likely be details of his long collaboration—“forty-five years and only one fight”—with Wallace Shawn and the making of their art-house hit My Dinner With André. These sections chronicle the duo’s struggles to make the picture, from Gregory’s memorizing hundreds of pages of dialogue for “the longest speaking role in the history of film” to his wearing long johns during the shoot because they couldn’t afford to heat the hotel where the restaurant scenes were staged.
A witty trip through a unique life in the theater.Pub Date: Nov. 17, 2020
ISBN: 978-0-374-29854-8
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
A tiny book, not much bigger than a pamphlet, with huge potential impact.
A collection of articulate, forceful speeches made from September 2018 to September 2019 by the Swedish climate activist who was nominated for a Nobel Peace Prize.
Speaking in such venues as the European and British Parliaments, the French National Assembly, the Austrian World Summit, and the U.N. General Assembly, Thunberg has always been refreshingly—and necessarily—blunt in her demands for action from world leaders who refuse to address climate change. With clarity and unbridled passion, she presents her message that climate change is an emergency that must be addressed immediately, and she fills her speeches with punchy sound bites delivered in her characteristic pull-no-punches style: “I don’t want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act.” In speech after speech, to persuade her listeners, she cites uncomfortable, even alarming statistics about global temperature rise and carbon dioxide emissions. Although this inevitably makes the text rather repetitive, the repetition itself has an impact, driving home her point so that no one can fail to understand its importance. Thunberg varies her style for different audiences. Sometimes it is the rousing “our house is on fire” approach; other times she speaks more quietly about herself and her hopes and her dreams. When addressing the U.S. Congress, she knowingly calls to mind the words and deeds of Martin Luther King Jr. and John F. Kennedy. The last speech in the book ends on a note that is both challenging and upbeat: “We are the change and change is coming.” The edition published in Britain earlier this year contained 11 speeches; this updated edition has 16, all worth reading.
A tiny book, not much bigger than a pamphlet, with huge potential impact.Pub Date: Nov. 26, 2019
ISBN: 978-0-14-313356-8
Page Count: 112
Publisher: Penguin
Review Posted Online: Nov. 2, 2019
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