Mulhall may not be a household name, but Lang makes her memorable for anyone who admires go-getters who beat the odds and...
The story of famed rodeo queen Lucille Mulhall is retold as a lesson in girl power and following one's dreams.
As a girl growing up in the 1890s in Oklahoma, Lucille showed a natural talent for roping and horse riding, pursuits that weren't considered ladylike at the time. But through dedication and the support of her father, Col. Zack Mulhall, Lucille impressed others with her skills, besting boys in competitions and eventually performing for then–vice president Teddy Roosevelt. She toured the world as her fame grew, paving the way for other cowgirls. As told by Lang, who previously wrote about Olympian Alice Coachman (Queen of the Track, illustrated by Floyd Cooper, 2012), Mulhall's life was filled with doubters she proved wrong with undeniable skill. Though there's plenty of history, including a supplemental two-page biography and timeline in the backmatter (though no sources), there's no lack of sass and color. Lang writes colloquially ("Colonel Mulhall reckoned it was a fine idea") without overdoing it. The rodeo scenes contain the right amount of suspense, given Lucille's obvious trajectory. Illustrations are expressively bright and splashy, with amusing expressions on the roped horses and cattle as well as more staid representations of the vast Oklahoma landscape.
Mulhall may not be a household name, but Lang makes her memorable for anyone who admires go-getters who beat the odds and break barriers. (Picture book/biography. 4-8)Pub Date: March 1, 2015
ISBN: 978-0-8075-2931-7
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Successful neither as biography nor sermon.
Our 16th president is presented as an activist for human and civil rights.
Lincoln resembles a doll with an oversized head as he strides through a first-person narrative that stretches the limits of credulity and usefulness. From childhood, Abe, bearded and sporting a stovepipe hat, loves to read, write and look out for animals. He stands up to bullies, noting that “the hardest fights don’t reveal a winner—but they do reveal character.” He sees slaves, and the sight haunts him. When the Civil War begins, he calls it a struggle to end slavery. Not accurate. The text further calls the Gettysburg ceremonies a “big event” designed to “reenergize” Union supporters and states that the Emancipation Proclamation “freed all those people.” Not accurate. The account concludes with a homily to “speak louder then you’ve ever spoken before,” as Lincoln holds the Proclamation in his hands. Eliopoulos’ comic-style digital art uses speech bubbles for conversational asides. A double-page spread depicts Lincoln, Confederate soldiers, Union soldiers, white folk and African-American folk walking arm in arm: an anachronistic reference to civil rights–era protest marches? An unsourced quotation from Lincoln may not actually be Lincoln’s words.
Successful neither as biography nor sermon. (photographs, archival illustration) (Picture book. 4-7)Pub Date: Jan. 14, 2014
ISBN: 978-0-8037-4083-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 19, 2013
Kirkus Reviews Issue: Dec. 15, 2013
This clever marriage of information and illustration soars high.
This bright, brimming picture biography commemorates Tony Sarg, a brilliant, self-taught artist whose innovative helium balloons delighted legions of Macy’s parade watchers from 1928 on.
Sweet sketches Sarg’s career as a puppeteer and marionette-maker. Moving from London to New York City, where his marionettes performed on Broadway, Sarg engineered mechanical storybook characters for Macy’s “Wondertown” holiday windows. In 1924, he created floats and costumes for the first Macy’s parade, which celebrated both immigrant and American holiday traditions. When the annual parade’s lions and tigers (borrowed from the Central Park Zoo) frightened children, Macy’s commissioned Sarg to replace them. Ever innovative, Sarg eventually utilized rubberized silk and helium to create larger, lighter balloons that could be controlled from below. Sweet’s charming mixed-media layouts form a playful bridge between her creative process and Sarg’s. She fashioned whimsical toys from painted blocks, buttons and fabric, combining them in photo-collages with old books, cut paper, imagined sketches for Sarg’s projects, watercolor images of parade scenes and much more. Endpapers inform and delight, too, with excerpts from a 1929 book about Sarg's marionettes and a front-page parade invitation in the 1933 New York Times. Backmatter is also a collage of treats, with an author’s note appending further biographical details and comments about the art.
This clever marriage of information and illustration soars high. (bibliography of adult sources, quote sources, acknowledgements, period photo) (Picture book/biography. 4-8)Pub Date: Oct. 31, 2011
ISBN: 978-0-547-19945-0
Page Count: 40
Publisher: Houghton Mifflin
Review Posted Online: Aug. 16, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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