This clever marriage of information and illustration soars high.

BALLOONS OVER BROADWAY

THE TRUE STORY OF THE PUPPETEER OF MACY'S PARADE

This bright, brimming picture biography commemorates Tony Sarg, a brilliant, self-taught artist whose innovative helium balloons delighted legions of Macy’s parade watchers from 1928 on.

Sweet sketches Sarg’s career as a puppeteer and marionette-maker. Moving from London to New York City, where his marionettes performed on Broadway, Sarg engineered mechanical storybook characters for Macy’s “Wondertown” holiday windows. In 1924, he created floats and costumes for the first Macy’s parade, which celebrated both immigrant and American holiday traditions. When the annual parade’s lions and tigers (borrowed from the Central Park Zoo) frightened children, Macy’s commissioned Sarg to replace them. Ever innovative, Sarg eventually utilized rubberized silk and helium to create larger, lighter balloons that could be controlled from below. Sweet’s charming mixed-media layouts form a playful bridge between her creative process and Sarg’s. She fashioned whimsical toys from painted blocks, buttons and fabric, combining them in photo-collages with old books, cut paper, imagined sketches for Sarg’s projects, watercolor images of parade scenes and much more. Endpapers inform and delight, too, with excerpts from a 1929 book about Sarg's marionettes and a front-page parade invitation in the 1933 New York Times. Backmatter is also a collage of treats, with an author’s note appending further biographical details and comments about the art. 

This clever marriage of information and illustration soars high.   (bibliography of adult sources, quote sources, acknowledgements, period photo) (Picture book/biography. 4-8)

Pub Date: Oct. 31, 2011

ISBN: 978-0-547-19945-0

Page Count: 40

Publisher: Houghton Mifflin

Review Posted Online: Aug. 17, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A resplendent masterpiece.

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DREAMERS

Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.

This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”

A resplendent masterpiece. (author’s note) (Picture book. 4-8)

Pub Date: Sept. 4, 2018

ISBN: 978-0-8234-4055-9

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Aug. 1, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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The tips garnered here could be used to scare just about anyone, and for those scared of ghosts, at least your carpets will...

HOW TO SCARE A GHOST

From the How To... series

Reagan and Wildish continue their How to… series with this Halloween-themed title.

If you’ve ever had a hankering to scare a ghost, this handbook is what you need. In it, a pair of siblings shows readers “how to attract a ghost” (they like creepily carved pumpkins and glitter), identify a ghost (real ghosts “never, ever open doors”), and scare a ghost (making faces, telling scary stories). Also included is a warning not to go too far—a vacuum is over-the-top on the scary chart for ghosts. Once you’ve calmed your ghost again, it’s time to play (just not hide-and-seek or on a trampoline) and then decide on costumes for trick-or-treating. Your ghost will also need to learn Halloween etiquette (knocking instead of floating through doors). The title seems a little misleading considering only two spreads are dedicated to trying to scare a ghost, but the package as a whole is entertaining. Wildish’s digital cartoon illustrations are as bright as ever, and the brother and sister duo have especially expressive faces. Both are white-presenting, as are all the other characters except for some kids in the very last spread.

The tips garnered here could be used to scare just about anyone, and for those scared of ghosts, at least your carpets will be clean from all the vacuuming. (Picture book. 4-8)

Pub Date: Aug. 21, 2018

ISBN: 978-1-5247-0190-1

Page Count: 32

Publisher: Knopf

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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