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BETTING GAME

From the Orca Sports series

Hard-hitting (if a little heavily reliant on suspension of belief) and as memorable as a prison tour for young men who think...

O’Connor tackles a tough one: a high school soccer star caught in a web of gambling.

Jack and his brother, Alex, attend a soccer academy, the kind of institution that grooms students for professional-level play. Their team is a contender for the national championship, but they have just lost their best player to the professional leagues, and a new ringer isn’t fitting in with the team. O’Connor will keep the game’s fans close with plenty of in-the-know soccer patter, but she will also draw other readers with the story of Jack’s slow absorption into a gambling ring. Luka, a flashy Ukrainian with money to burn (a casting choice that falls perilously close to prejudicial stereotyping), befriends Jack, greasing the relationship with some valuable gifts. Readers may find it hard to believe that Jack doesn’t realize every word he drops in Luka’s ear about his senior-division team—who is hurting, who is away for a game—is fodder for Luka’s gambling operation. But Jack does know all about the operation, especially how easy it is to go into debt when the interest is compounded. Jack, Alex, and an unexpected compatriot set up a sting, but not before Luka makes some grisly threats.

Hard-hitting (if a little heavily reliant on suspension of belief) and as memorable as a prison tour for young men who think crime is a sport and a joke. (Sports fiction. 10-16)

Pub Date: Oct. 20, 2015

ISBN: 978-1-4598-0930-7

Page Count: 216

Publisher: Orca

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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NEVER FALL DOWN

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...

A harrowing tale of survival in the Killing Fields.

The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)

Pub Date: May 8, 2012

ISBN: 978-0-06-173093-1

Page Count: 224

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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ONCE A QUEEN

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.

A portal fantasy survivor story from an established devotional writer.

Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.

Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)

Pub Date: Jan. 30, 2024

ISBN: 9780593194454

Page Count: 384

Publisher: WaterBrook

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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