Romance fiction right on target for rocker girls with a little therapy under their belts.
Engaging debut about death, modern romance, and growing up.
Junie, 25 and directionless, has yet to find herself and can’t quite embrace the good times with devoted live-in boyfriend Leon, a drummer who secretly dreams of leaving NYC with her to start a family and a restaurant in a small town. Junie fantasizes instead about Eliot, an embittered, middle-aged writer whose greatest success, a soft-core SF novel, is more than 20 years behind him. She perceives Elliot as potentially life-changing, while he’s just looking for his latest muse/plaything. Startlingly, while they carry on their flirtation, Eliot’s cat Alfie recognizes Junie as his soulmate from a past life; trapped in a feline body, he narrates his tragicomic frustration as he tries to be seen, win her back, and warn her away from Eliot. Following the affair’s anticlimactic consummation, Junie turns to her real issues: she cannot move past the death of her little brother when she was eight and needs to confront her parents about screwing her up thereafter. A trip back to Indiana and a conversation with her mother are enough to move our heroine up a step on the emotional maturity ladder; she returns to Leon, ready now for what he offers her. To her credit, Swain wears her knowingness like a loose garment: set in Williamsburg, New York City’s latest hipster hotbed, with a shaven-headed, goateed, rock-’n’-roll drummer love object and up-to-the-minute secondary characters like his bandmates in Mr. Whipple, the wealth of trendy how-they-live-now detail remains supporting texture rather than shiny distractions to the reasonably entertaining action.
Romance fiction right on target for rocker girls with a little therapy under their belts.Pub Date: Sept. 2, 2003
ISBN: 0-7434-6487-7
Page Count: 320
Publisher: Downtown Press/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
BOOK REVIEW
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Deservedly popular Moriarty invigorates the tired social-issue formula of women’s fiction through wit, good humor, sharp...
After last year’s best-selling The Husband’s Secret, Australian Moriarty brings the edginess of her less-known The Hypnotist’s Love Story (2012) to bear in this darkly comic mystery surrounding a disastrous parents' night at an elementary school fundraiser.
Thanks to strong cocktails and a lack of appetizers, Pirriwee Public’s Trivia Night turns ugly when sloshed parents in Audrey Hepburn and Elvis costumes start fights at the main entrance. To make matters worse, out on the balcony where a smaller group of parents have gathered, someone falls over the railing and dies. Was it an accident or murder? Who is the victim? And who, if anyone, is the murderer? Backtrack six months as the cast of potential victims and perps meet at kindergarten orientation and begin alliances and rivalries within the framework of domestic comedy-drama. There’s Chloe’s opinionated, strong-willed mom, Madeline, a charmingly imperfect Everywoman. Happily married to second husband Ed, Madeline is deeply hurt that her older daughter wants to move in with her ex-husband and his much younger, New-Age–y second wife; even worse, the couple’s waifish daughter, Skye, will be in Chloe’s kindergarten class. Madeline’s best friend is Celeste, mother of twins Max and Josh. It’s hard for Madeline and the other moms not to envy Celeste. She's slim, rich and beautiful, and her marriage to hedge fund manager Perry seems too perfect to be true; it is. Celeste and Madeline befriend young single mother Jane, who has moved to the coast town with her son, Ziggy, the product of a one-night stand gone horribly wrong. After sweet-natured Ziggy is accused of bullying, the parents divide into defenders and accusers. Tensions mount among the mothers' cliques and within individual marriages until they boil over on the balcony. Despite a Greek chorus of parents and faculty sharing frequently contradictory impressions, the truth remains tantalizingly difficult to sort out.
Deservedly popular Moriarty invigorates the tired social-issue formula of women’s fiction through wit, good humor, sharp insight into human nature and addictive storytelling.Pub Date: July 29, 2014
ISBN: 978-0-399-16706-5
Page Count: 416
Publisher: Amy Einhorn/Putnam
Review Posted Online: June 14, 2014
Kirkus Reviews Issue: July 1, 2014
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