Motherhood sinks to an all-time low in Boehringer’s bleak debut, set in the soulless suburbs of South Florida.
Meg O’Hara, a young mother of two, accidentally hits and kills her 27-month-old son, Jordan, as she is pulling into her driveway in her SUV while the father, Paul, is distracted ogling the neighbor in her short-shorts. After this nightmarish start, the only move toward redemption for these unlovable characters is in engendering the reader’s sympathy, but Boehringer rejects that route. Instead, she compounds Meg’s erratic behavior as her guilt almost kills her. Meg harbors deep suspicions about her husband’s fidelity, especially when the suspect neighbor, Susie, seems always to be at their house. Meg herself is the product of an alcoholic mother whose drunken behavior caused the car accident that killed Meg’s father and brother. Now, Meg decides to quit her job as an actuary and, first, spend the day finding things for her and her 11-month-old daughter, Madeline, to do, such as join a self-help group of parents of children with cancer—after a group of parents with dead children rejects her. She drives around a lot with Maddie—like, 58 times slowly through the neighborhood in order to monitor any accidents, then hangs out at the airport bar (with Maddie) drinking wine, where she meets a sympathetic man, Al, whom she considers sleeping with. After witnessing another accident—literally in her front yard—and failing to revive the victim, who happens to be Susie’s married lover, Meg (with Maddie) takes up sneaking into Susie’s house and feeling comforted by her tidy surroundings. As Meg grows more deeply confused, her marriage with conflicted, blameworthy Paul deteriorates. Boehringer seems committed to making Meg sound as ungracious and nasty as possible, her very prose sarcastic;moreover, and Meg’s litany about her unfitness as a mother rings hollow, since the author offers little emotional context for the hand-wringing.
A first novel as testimony to a mother’s hell—without transcendence.Pub Date: Aug. 29, 2005
ISBN: 1-85242-893-7
Page Count: 256
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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