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THE SERPENT'S GIFT

A richly textured first novel that begins with lyrical evocations of loss and love in two intertwined African-American families, but which later becomes more synopsis than saga. In a nameless midwestern city, in 1910, the already fragile marriage of Eula and Ontario Smalls ends with Ontario's fatal fall while cleaning windows. Eula, with children Vesta and baby LaRue, is taken in by neighbors Ruby and Polaris Staples. The families had first met when Eula, badly beaten by Ontario, had fled with her two children and Ruby had been the only neighbor on the street willing to take her in. The two families now begin to live together with remarkable ease. Young Vesta is treated by Ouida, the Staples' only daughter, as the sister she'd always wanted; little LaRue and Ruby share a common delight in stories and creating beautiful things; and Eula, though scarred, finds solace in her work and in the affectionate security the Staples home provides. But as the story moves forward, the pace of events both personal and public accelerates, shortchanging plot and character along the way. Only LaRue's ``famous'' stories about Miss Snake, although they too lose much of their early charm as they multiply, seem to slow down the apparent rush to be done with the story. Vesta, forever affected by her family's past, lives a life of rigid order, only slightly relieved by the joy of raising the child during whose birth Ruby dies; Ouida, after a few failed affairs, finds true love with another woman; and LaRue, Ruby's male alter ego, becomes the family's nurturer and chronicler, who offers himself as the serpent's gift, the doorway ``to the things that had happened before, to the things that had happened between them—to their history.'' The seismic changes in race relations are perceptively noted, as are the realities of African-American lives, but the cursory treatment that results from the sprint to get it all down mars what could have been a magnificent African-American saga.

Pub Date: April 15, 1994

ISBN: 0-689-12193-8

Page Count: 392

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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