Engelhardt is an accomplished poet and writer, and there is not a single significant misstep in this moving and engrossing...
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by Helen Engelhardt ‧ RELEASE DATE: June 1, 2013
In her debut memoir, Engelhardt writes about losing her husband, Tony Hawkins, who was on Pan Am Flight 103 that was blown out of the sky over Lockerbie, Scotland, in the 1988 terrorist attack.
Hawkins was returning home to Brooklyn after a short visit to his native England. He was 57 and left behind his wife, Helen, and their son, Alan, who just turned 6. They’d had 16 years together; Alan was the late-life—and very precocious—child that they doted on. The book recounts that first year after Lockerbie but also looks back and recalls both the good times and the hard times. Like all marriages, theirs was not without challenges, but their love was rock-solid. And such lacerating irony: Tony was supposed to fly home a day earlier but begged an extra day to tie up loose ends. So many had stories like that to tell; others were supposed to make that flight but were saved by their “bad luck.” With other survivors, Engelhardt organized the Victims of Pan Am Flight 103 and began lobbying, marching, protesting, writing letters (and newsletters), badgering whatever powers they thought could and should do more. She became all too familiar with the media and no fan of it. Engelhardt knows how to work up drama, switching between accounts of the couple’s honeymoon in Europe and accounts of the crash 16 years later, oscillating in time between the two and thus accentuating the horror. Engelhardt’s quietly moving poem to Tony and their love (“There Was So Much to Love”) provides the only imaginable coda to a memoir that begins with her prose poem titled “Incident at Altitude, 12/21/88,” which launches us into the nightmare. Thus is it bookended. The narrative of course brims with details both public and private. For the most part, Engelhardt writes clearly and with tight control, knowing that histrionics would cheapen her story. Such restraint makes the telling all the more powerful.
Engelhardt is an accomplished poet and writer, and there is not a single significant misstep in this moving and engrossing book.Pub Date: June 1, 2013
ISBN: 978-0-9851138-5-8
Page Count: 262
Publisher: Midsummer Sound Company, LLC
Review Posted Online: May 1, 2014
Kirkus Reviews Issue: June 1, 2014
Review Program: Kirkus Indie
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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More About This Book
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; translated by Marion Wiesel
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