by Helen Fielding ‧ RELEASE DATE: Oct. 15, 2013
Fielding brings back beloved single lady Bridget Jones (Bridget Jones’s Diary, 1998; Bridget Jones: the Edge of Reason, 2000).
The last time readers met Bridget she was on her way to a happily ever after with mild-mannered English barrister Mark Darcy. In this third installment, Bridget is once again looking for romance. She is now 51 and the mother of two young children, Billy and Mabel, from her relationship with Mark. (The fate of Bridget’s union with Mark is covered early on.) The opening pages find Bridget fretting about her new man, Roxby McDuff (yes, folks, that is his real name; sorry, Mr. Darcy). Roxster, as he’s called, is 20 years Bridget’s junior. She met him on Twitter. This “toyboy” is fun and flirty, but is he someone who can commit long term? The book considers the role of social media and mobile devices in modern dating, a time in which murky texts stand in place of phone calls and, well, actual dating. It’s here that Fielding is at her sharpest, with Bridget at one point boasting that she “lost 2lbs through texting thumb-action.” Any action, it seems, is better than none. The book also examines the pitfalls of dating later in life. Should you admit to your younger boyfriend that you can’t read the fine print on a menu card without pulling out reading glasses? And how many fart jokes need to be exchanged before you begin to suspect that your younger man is immature? Along the way, Bridget’s friends from the previous books resurface, not to mention a certain lecherous ex-boss, Daniel Cleaver, these days more vulnerable and lost. There are laugh-out-loud moments throughout: Bridget would not be Bridget if she didn’t have a makeup mishap (she accidentally applies mascara to her upper lip before a date) and yo-yoing weight issues (she admits herself into an obesity clinic; it doesn’t go well). But the writing is also characterized by a certain sadness as Fielding touches on loss and mortality and the passage of time. The ending feels rushed and many will wish Fielding had devoted more space to developing various romantic matters leading up to it. But one thing is certain: Bridget hasn’t given up on love. Nor should she. At any age. Not as rich as Fielding’s first two Bridget Jones books. Bridget’s fans will want it anyway. When Fielding is funny, she’s very funny.
Pub Date: Oct. 15, 2013
ISBN: 978-0-385-35086-0
Page Count: 336
Publisher: Knopf
Review Posted Online: Oct. 28, 2013
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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