One hopes the Dalai Lama gets his hands on this book as soon as possible. If he can’t clear up the morality questions, he’ll...

BRIDGET JONES'S BABY

THE DIARIES

One thing’s for sure: one of these two ex-boyfriends is the father of Bridget Jones’ baby.

“What would the Dalai Lama do?” Bridget asks herself when she arrives 15 minutes late to the christening of her friend Magda’s baby in the opening pages of Fielding’s (Mad About the Boy, 2013, etc.) fourth entry in this still-funny series about everyone’s favorite dizzy British blonde. The Dalai Lama would probably not proceed to shag her ex-boyfriend Mark Darcy, whom she hasn’t seen in years and who was until very recently married to a “stick insect” but has been sneakily appointed godfather to the same baby. When Darcy comes to his senses and makes himself scarce post-shag, would the Dalai Lama proceed to get drunk and naked with another famous fuckwit, her ex-boss, pompous television personality–turned-novelist Daniel Cleaver? Well, you never know. Perhaps the Dalai Lama would prudently refuse to have amniocentesis to determine the paternity of the baby out of fear of harming both the fetus and the gauzy thing that passes for a plot in these pages. (Though if you’ve read the previous book in the series, set many years in the future, you know whose child it is.) Pregnant Bridget is caught between her perennially smashed and slurring singleton friends and the tedious “Smug Marrieds”: “Guess what? We’ve found you a nanny: Eastern European. She’s got a degree in neuroscience from the University of Vilnius.” Distracted by her predicament, Bridget’s job performance is not at 100 percent. When a new producer is brought in to clean house at Sit Up, Britain, demanding stories with tension, action, and suspense, Bridget scours the news to no avail. “They’re slimy, they’re creepily silent—and they’re lurking in your arugula—frogs!” “They’re hexagonal, they suddenly change their form and they gouge out your eyes—umbrellas!”

One hopes the Dalai Lama gets his hands on this book as soon as possible. If he can’t clear up the morality questions, he’ll at least get a good laugh.

Pub Date: Oct. 11, 2016

ISBN: 978-1-5247-3240-0

Page Count: 240

Publisher: Knopf

Review Posted Online: Oct. 6, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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