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BRIDGET JONES'S DIARY

Newspaper columnist Fielding’s first effort, a bestseller in Britain, lives up to the hype: This year in the life of a single woman is closely observed and laugh-out-loud funny. Bridget, a thirtysomething with a midlevel publishing job, tempers her self-loathing with a giddy (if sporadic) urge toward self-improvement: Every day she tallies cigarettes smoked, alcohol —units—consumed, and pounds gained or lost. At Una Alconbury’s New Year’s Day Curry Buffet, her parents and their friends hover as she’s introduced to an eligible man, Mark Darcy. Mark is wearing a diamond-patterned sweater that rules him out as a potential lust object, but Bridget’s reflexive rudeness causes her to ruminate on her own undesirability and thus to binge on chocolate Christmas-tree decorations. But in the subsequent days, she cheers herself up with fantasies of Daniel, her boss’s boss, a handsome rogue with an enticingly dissolute air. After a breathless exchange of e-mail messages about the length of her skirt, Daniel asks for her phone number, causing Bridget to crown herself sex goddess. . . until she spends a miserable weekend staring at her silent phone. By chanting “aloof, unavailable ice-queen” to herself, she manages to play it cool long enough to engage Daniel’s interest, but once he’s her boyfriend, he spends Sundays with the shades pulled watching TV—and is quickly unfaithful. Meanwhile, after decades of marriage, her mother acquires a bright orange suntan, moves out of the house, and takes up with a purse-carrying smoothie named Julio. And so on. Bridget navigates culinary disasters, mood swings, and scary publishing parties; she cares for her parents, talks endlessly with her cronies, and maybe, just maybe, hooks up with a nice boyfriend. Fielding’s diarist raises prickly insecurities to an art form, turns bad men into good anecdotes, and shows that it is possible to have both a keen eye for irony and a generous heart. (Film rights to Working Title; author tour)

Pub Date: June 1, 1998

ISBN: 0-670-88072-8

Page Count: 271

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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