Grief and suffering make for an emotionally moving novel, but without fully exploring healing and recovery, is it a romance?
A violinist struggling from burnout must face even bigger challenges.
After experiencing viral fame and an exhausting tour, Anna Sun can only hear flaws and mistakes when she plays music. She spends hours every day restarting the same piece of music, trying to make it perfect. When her therapist suggests Anna might be on the autism spectrum, she is relieved to finally understand herself better; unfortunately, her sister’s painful rejection of the idea leaves her feeling even more estranged from her family. After her boyfriend informs her he wants to be in an open relationship, Anna creates a profile and connects with Quan Diep on a dating app. The successful CEO of a small clothing company, Quan wants to enter the dating pool after a bout with cancer. Although they both want a no-strings affair, Anna discovers how easy it is to be her real self with Quan. The first half of the novel shows their relationship morphing into one of mutual caring and respect. When Anna’s father suffers a debilitating stroke without a medical directive, Anna and her mother and sister decide to care for him at home. Hoang unflinchingly describes the physically exhausting work of caretaking, which is coupled with Anna’s emotionally wrenching conviction that her father does not want to live this way. The primary themes in the second half are about filial piety and how Anna’s endless self-sacrifice without corresponding acceptance from her family pushes her to create limits and boundaries. Quan is a solid, steady presence but mostly relegated to the back burner. In the afterword, Hoang calls the book “half memoir,” which helps explain why it feels like half a romance. Genre readers will have to judge for themselves if the romance plot satisfies, but those desperate for fiction that explores the crushing weight of caregiving will find it here.
Grief and suffering make for an emotionally moving novel, but without fully exploring healing and recovery, is it a romance?Pub Date: Aug. 31, 2021
ISBN: 978-0-593-19783-7
Page Count: 320
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A heartfelt look at taking second chances, in life and in love.
Two struggling authors spend the summer writing and falling in love in a quaint beach town.
January Andrews has just arrived in the small town of North Bear Shores with some serious baggage. Her father has been dead for a year, but she still hasn’t come to terms with what she found out at his funeral—he had been cheating on her mother for years. January plans to spend the summer cleaning out and selling the house her father and “That Woman” lived in together. But she’s also a down-on-her-luck author facing writer’s block, and she no longer believes in the happily-ever-after she’s made the benchmark of her work. Her steadily dwindling bank account, though, is a daily reminder that she must sell her next book, and fast. Serendipitously, she discovers that her new next-door neighbor is Augustus Everett, the darling of the literary fiction set and her former college rival/crush. Gus also happens to be struggling with his next book (and some serious trauma that unfolds throughout the novel). Though the two get off to a rocky start, they soon make a bet: Gus will try to write a romance novel, and January will attempt “bleak literary fiction.” They spend the summer teaching each other the art of their own genres—January takes Gus on a romantic outing to the local carnival; Gus takes January to the burned-down remains of a former cult—and they both process their own grief, loss, and trauma through this experiment. There are more than enough steamy scenes to sustain the slow-burn romance, and smart commentary on the placement and purpose of “women’s fiction” joins with crucial conversations about mental health to add multiple intriguing layers to the plot.
A heartfelt look at taking second chances, in life and in love.Pub Date: May 19, 2020
ISBN: 978-1-9848-0673-4
Page Count: 384
Publisher: Jove/Penguin
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK TO SCREEN
PERSPECTIVES
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