Fans of historical fiction will find much to enjoy—a reprise of the well-loved immigrant narrative and a meticulous...
The destiny and descendants of a pregnant Irish girl enmesh with those of a blueblood New England family, 1908-2018.
Ross (What Was Mine, 2016) opens her first historical novel with an offstage death in Manhattan on Sept. 11, 2001, followed immediately by an apparent poisoning at a Connecticut estate in 1927 and a tragic death at sea in 1908—for such is the trajectory of long-hidden family secrets. From this head-spinning opening, we settle in to the main action of the book, in which a child is raised by both his adoptive mother and, unknown to him, his real one. Continuing to move among the perspectives of these three characters and several others, in chapters set in times and locations that range over the course of more than a century, the truth of what happened at the Hollingwood estate is gradually puzzled out. Period details large and small are worked into almost every scene: temperance, suffrage, Halley's comet, President William Howard Taft, the Triangle Shirtwaist Fire, the evolution of medical treatment, indoor plumbing, air conditioning, and myriad customs and practices of daily life. From the introduction of powdered laundry soap to the early popularity of Niagara Falls as a honeymoon destination—it's all here, and more detail is provided on many of these tidbits in notes at the back. A detailed family tree beginning in 1741 and related chronological charts will also please connoisseurs. The weaknesses of the book are in the plot: The central secret is kept too long for maximum effect; much turns on a false accusation that seems unlikely to have gained acceptance; and a blue bottle hidden in 1927 and found, with a marble in it, in 2016 both sheds light on the mystery and suggests confusing possibilities.
Fans of historical fiction will find much to enjoy—a reprise of the well-loved immigrant narrative and a meticulous depiction of early-20th-century life.Pub Date: Nov. 6, 2018
ISBN: 978-0-316-47686-7
Page Count: 432
Publisher: Little, Brown
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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