Intense and enigmatic, tense and tender, this novel offers no easy answers—its deeper meanings may mystify—but it grabs you...

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THE BEAUTIFUL BUREAUCRAT

In a novel that's part love story, part urban thriller, Phillips (And Yet They Were Happy, 2011, etc.) captures the way an isolating job and an indifferent city can stealthily steal our lives and erode our souls—and the protective, nourishing power of love.

A nameless, genderless, nearly faceless boss with rank breath; a tiny office in a vast windowless building, its “pinkish ill-colored” walls fluorescently lit, marked with “scratches, smears, shadowy fingerprints, the echoes of hands” of bureaucrats past, and impervious to efforts at beautification; the incessant, maddening drone of typing; the red-eyed co-workers of uncertain trustworthiness; the computer database into which numbers on pages in piles of files must be entered and double-checked and processed just so—these are the things Josephine Anne Newbury encounters in the administrative job she accepts, asking few questions and getting fewer answers, for a mysterious organization. Having up and moved to the city from the “hinterland” looking for new opportunities, Josephine and her beloved husband, Joseph, endure mindless work following a long period of unemployment and the added alienation of living in unwelcoming apartments, surrounded by other people’s belongings. They find solace, joy, and vitality in each other, in the linguistic playfulness that has become their own language, in the warm glow of simple meals enjoyed together by candlelight, and in their shared dream of starting a family. But the city to which they have moved “in hope of hope” sweeps them into its sinister clutches and brings them face to face with pressing existential questions to which the answers may be as inevitable and unpleasant as they are unclear. Phillips takes situations and sentiments that will be all too familiar to many readers—a soul-crushingly dull job that callously steals our youth and beauty, the desperate yearning to be free of it, the restoring power of love and food and intimacy and of shared language and laughter—and uses them to explore bigger universal themes of life and death and the choices and compromises they demand.

Intense and enigmatic, tense and tender, this novel offers no easy answers—its deeper meanings may mystify—but it grabs you up, propels you along, and leaves you gasping, grasping, and ready to read it again.

Pub Date: Aug. 11, 2015

ISBN: 978-1-62779-376-6

Page Count: 192

Publisher: Henry Holt

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: June 1, 2015

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A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed...

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THE LAST TRIAL

Trying his final case at 85, celebrated criminal defense lawyer Sandy Stern defends a Nobel-winning doctor and longtime friend whose cancer wonder drug saved Stern's life but subsequently led to the deaths of others.

Federal prosecutors are charging the eminent doctor, Kiril Pafko, with murder, fraud, and insider trading. An Argentine émigré like Stern, Pafko is no angel. His counselor is certain he sold stock in the company that produced the drug, g-Livia, before users' deaths were reported. The 78-year-old Nobelist is a serial adulterer whose former and current lovers have strong ties to the case. Working for one final time alongside his daughter and proficient legal partner, Marta, who has announced she will close the firm and retire along with her father following the case, Stern must deal not only with "senior moments" before Chief Judge Sonya "Sonny" Klonsky, but also his physical frailty. While taking a deep dive into the ups and downs of a complicated big-time trial, Turow (Testimony, 2017, etc.) crafts a love letter to his profession through his elegiac appreciation of Stern, who has appeared in all his Kindle County novels. The grandly mannered attorney (his favorite response is "Just so") has dedicated himself to the law at great personal cost. But had he not spent so much of his life inside courtrooms, "He never would have known himself." With its bland prosecutors, frequent focus on technical details like "double-blind clinical trials," and lack of real surprises, the novel likely will disappoint some fans of legal thrillers. But this smoothly efficient book gains timely depth through its discussion of thorny moral issues raised by a drug that can extend a cancer sufferer's life expectancy at the risk of suddenly ending it.

A strongly felt, if not terribly gripping, sendoff for a Turow favorite nearly 35 years after his appearance in Presumed Innocent.

Pub Date: May 12, 2020

ISBN: 978-1-5387-4813-8

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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