by Helen Phillips ‧ RELEASE DATE: Aug. 11, 2015
Intense and enigmatic, tense and tender, this novel offers no easy answers—its deeper meanings may mystify—but it grabs you...
In a novel that's part love story, part urban thriller, Phillips (And Yet They Were Happy, 2011, etc.) captures the way an isolating job and an indifferent city can stealthily steal our lives and erode our souls—and the protective, nourishing power of love.
A nameless, genderless, nearly faceless boss with rank breath; a tiny office in a vast windowless building, its “pinkish ill-colored” walls fluorescently lit, marked with “scratches, smears, shadowy fingerprints, the echoes of hands” of bureaucrats past, and impervious to efforts at beautification; the incessant, maddening drone of typing; the red-eyed co-workers of uncertain trustworthiness; the computer database into which numbers on pages in piles of files must be entered and double-checked and processed just so—these are the things Josephine Anne Newbury encounters in the administrative job she accepts, asking few questions and getting fewer answers, for a mysterious organization. Having up and moved to the city from the “hinterland” looking for new opportunities, Josephine and her beloved husband, Joseph, endure mindless work following a long period of unemployment and the added alienation of living in unwelcoming apartments, surrounded by other people’s belongings. They find solace, joy, and vitality in each other, in the linguistic playfulness that has become their own language, in the warm glow of simple meals enjoyed together by candlelight, and in their shared dream of starting a family. But the city to which they have moved “in hope of hope” sweeps them into its sinister clutches and brings them face to face with pressing existential questions to which the answers may be as inevitable and unpleasant as they are unclear. Phillips takes situations and sentiments that will be all too familiar to many readers—a soul-crushingly dull job that callously steals our youth and beauty, the desperate yearning to be free of it, the restoring power of love and food and intimacy and of shared language and laughter—and uses them to explore bigger universal themes of life and death and the choices and compromises they demand.
Intense and enigmatic, tense and tender, this novel offers no easy answers—its deeper meanings may mystify—but it grabs you up, propels you along, and leaves you gasping, grasping, and ready to read it again.Pub Date: Aug. 11, 2015
ISBN: 978-1-62779-376-6
Page Count: 192
Publisher: Henry Holt
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
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PROFILES
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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