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FOOLS FOR LOVE

Never underestimate the power of a good short story to lift your spirits.

In her first story collection since 1988, Schulman peeks into the romantic lives of a loosely connected community of characters.

“Many moons ago, my beloved husband, Miguel Herrera—have you heard of him?—gave an earthshaking performance in an event space in the East Village, Henderson Square (actually our friend Hattie Henderson’s studio apartment), which completely changed our lives.” This is the kind of sentence that inspires you to Google “Helen Schulman husband,” be reminded that she’s married to humorist Bruce Handy, and slap your forehead. Right, it’s fiction. Anna Herrera’s tale of her husband Miguel’s appearance in a same-sex performance of Sam Shepard’s Fool for Love, the play that gives both story and collection its title and theme, is actually the account of how she met her second husband, a marriage we return to in the last story in the book, at which point Herrera is just an “ethnic surname” she picked up “in a short heartbreak of a marriage, a name that has stood me well all these years, grant- and prizewinning-wise.” Also introduced in the first story is Anna’s sixth grade boyfriend, Hershleder, who becomes the antihero of the saddest story, “The Revisionist.” (Schulman notes in an afterword that both this and “P.S.” grew into novels in the years since their creation, making this book interesting for archeologists of her career.) We also meet an agent named Jeannie Elbazz, “who reps Jake Kamins”—both Jeannie and Jake return in “My Best Friend,” a story in which lovelorn foolery reaches dizzying heights. Without attempting to be a novel in stories, the collection is free to go off on wild tangents, such as a story narrated by an evil baby, Lucien H., and a tale of forbidden love with a married Orthodox rabbi in Paris. In multiple stories, people come back from the dead, and everywhere, there are sentences to make you laugh: “Thank God she’d grown up at a time when lunatic sexual behavior was expected; she’d been able to have her cake and eat it whenever she wanted without any damage to her reputation.”

Never underestimate the power of a good short story to lift your spirits.

Pub Date: July 8, 2025

ISBN: 9780593536254

Page Count: 208

Publisher: Knopf

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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STITCHED

Simply charming.

A lovable gaggle of competitive quilters attempts to defy the odds.

The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.

Simply charming.

Pub Date: Sept. 8, 2026

ISBN: 9798890920461

Page Count: 260

Publisher: Torrey House Press

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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