In a word: Wow.
Two women—between them, survivors of the Bosnian genocide, a Hollywood rape, the American media, and a career with the Mossad—face off.
You might think that a book inspired by the role of Rose McGowan in the fall of Harvey Weinstein would have a fairly predictable story arc, but this barn burner of a novel handily incinerates that assumption. With an ambitious story structure recalling the work of Anthony Marra, Schulman has engineered a series of breathtaking aha moments, set to go off like timed explosives located in Paris, Sarajevo, Tel Aviv, Los Angeles, and a retirement community in Florida. It begins on the Boulevard Saint-Germain, where a violet-eyed 24-year-old fugitive named Meredith Montgomery has come to hide from a media shitstorm and career implosion she incited by complaining on Twitter about her rape by a Hollywood mega-creep she calls the Rug—to hide from it, but also to write a memoir about it, nondisclosure agreement be damned. Schulman’s creation of Meredith is perfect. For example, describing her flight to Europe: “For exercise and to prevent blood clots, occasionally I’d prop up on an elbow to flag down a flight attendant so I could order additional mini-bottles of whiskey—waving an arm in the air burns more calories than not waving an arm in the air—and when I actually stood, I swayed (that does, too). Whether the oscillation was from an inborn sense of rhythm, turbulence, or a history of drug abuse, it’s hard to tell—time is running out now, and I have more existential problems than the fact that maybe I shouldn’t have done so much ayahuasca.” When a lawyer tells her she can’t bring charges against the Rug—“Way too late for that. His word against yours, you lose. Forget about it”—her first thought is: a haiku! Before we meet her counterpart, a woman of many names and careers (including a humorously evoked stint with Birthright), the second section opens with an extended guessing game, a bravura tactic introducing a city and a character whose relevance is not immediately clear. It's like Meredith, the novice memoirist, says: “That’s what I like about book writing, you can play around with time, find its most meaningful iteration.” Schulman has certainly done that here, in her finest work to date.
In a word: Wow.Pub Date: June 6, 2023
ISBN: 9780593536230
Page Count: 336
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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