A well-informed perspective on early-20th-century literature.
A sensitive biography of an influential editor and critic.
Like his American counterpart, famed Scribner’s editor Maxwell Perkins, Edward Garnett (1868-1937) nurtured a long roster of outstanding writers, including Joseph Conrad, Stephen Crane, D.H. Lawrence, Edward Thomas, E.M. Forster, John Galsworthy, and T.E. Lawrence. In her assured literary debut, Smith (Modern Literature/Univ. of East Anglia), director of her university’s master’s program in biography and creative nonfiction, draws on Garnett’s copious correspondence, critical writings, and memoirs of those who knew him to create a finely etched portrait of a man who exerted a quiet, decisive influence on arts and letters. From the age of 21 until his death, Garnett served as reader for several eminent publishing houses, beginning with T. Fisher Unwin, for whom he evaluated some 700 manuscripts a year, and including Heinemann, Duckworth, and Jonathan Cape, all literary publishers eager to identify new talent. “He has done more than any living writer to discover and encourage the genius of other writers,” Forster wrote, “and he has done it all without any desire for personal prestige.” Smith notes only a few instances of frustration, where he wished he had been successful for his own creative work. For the most part, though, he devoted himself to guiding other writers. He had the rare skill, she writes, “to ‘talk’ a book into being…adapting his approach to the temperament of the protégé, reassuring the timid, cajoling the reluctant and bellowing at the bloody-minded.” Smith examines Garnett’s personal as well as professional life: his devoted but unconventional marriage to Constance Garnett, an acclaimed translator of Russian literature; his siblings, friends, and lovers; the couple’s son, David, who forged a career of his own as writer and publisher. Garnett’s literary relationships could be intense: he saw Conrad as “a kindred spirit,” and he championed Crane’s “brilliant precocity.” “The born artist must be true to his own vision,” he once wrote, “the born critic to those of other men.”
A well-informed perspective on early-20th-century literature.Pub Date: Dec. 12, 2017
ISBN: 978-0-374-28112-0
Page Count: 448
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 11, 2017
Kirkus Reviews Issue: Oct. 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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