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POLAR DREAM

THE HEROIC SAGA OF THE FIRST SOLO JOURNEY BY A WOMAN AND HER DOG TO THE POLE

Simple, appealing account of a woman's solo ski trek to the magnetic North Pole. Thayer's goal isn't the imaginary dot at the top of the globe that bedeviled Peary and Cook but, rather, the spot to which all compasses point, some 800 miles north of the Arctic Circle. Nonetheless, this is a formidable journey filled with dangers, including horrendous cold (wind chills of -100 F.), dangerous ice, polar bears, and exhaustion. What's more, no woman has ever done this before, and Thayer is 50 years old when she sets out. After 27 grueling days towing a 160-pound sled, she makes it. One reason is her fortitude; the other is a black husky named Charlie (``there was something about him I thought I could trust and I decided to take him with me,'' she writes in her unadorned manner). Charlie squirrels his way into Thayer's affections for good reason, since many times he saves her from polar bears on the attack. Thayer's encounters with these white-furred killing machines are terrifying. Once, she walks toward what looks like a cute cub only to find that it's a voracious adult; another time, Charlie's heroics involve locking his jaws on a bear's leg. Thayer never minces her fear (``the pit of my stomach was an ice-cube, even my knees were shaking''), and, at one point, she breaks down and sobs, but her eyelids freeze tight: ``There could be no more crying on this expedition.'' She endures storms, fog, starvation, thirst, and a desperate flight over cracking ice. Today, Charlie is snug on the homestead in Washington State, and Thayer is planning an expedition—with her husband—to the North Pole itself. Enough feminine overtones (tears, worry about eyelashes, plus the voice of a middle-aged woman) to make a solid, no-frills adventure for women as well as men. (Eight pages of color photographs—not seen.) (First serial rights to Cosmopolitan)

Pub Date: Jan. 1, 1993

ISBN: 0-671-79386-1

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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