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BITCH IS THE NEW BLACK

An irreverent, savvy and sharp memoir.

Political reporter Andrews assembles 16 autobiographical essays exploring her unconventional upbringing, academic and professional accomplishment and the challenges of being a successful, single black woman in Washington, D.C.

The scathingly witty author examines a wide variety of topics that, beneath the jokes and sarcasm, address weighty issues (depression, aging, abortion) with wry astuteness. The “bitch” referred to in the title is an allusion to the tough veneer—perhaps subtly survivalist—that Andrews claims is necessary for a black woman who is often the only black woman in school or at work. She reveals the inception of this façade in chapters about her childhood, where she describes being the only child of an openly gay single mother whose eccentricities were both fascinating and impenetrable. One anecdote describes the author’s abduction by her grandmother at age six, in a misguided attempt to protect her; another details her attempt to reconcile the Bible with her mother’s homosexuality (she couldn’t). Whatever the effect of these profound incidents, the author clearly inherited ambition and confidence. She attended Columbia and Northwestern before climbing the ranks as a reporter in Washington—a situation that presented an entirely new set of obstacles, from finding an apartment without rats to finding camaraderie in the workplace. “There’s something terribly frightening about being the only black person at a political newspaper when there’s a black guy running for president,” she writes. “Or should I say freeing?” Much of the book chronicles Andrews’s dating misadventures. Nearing 30, and with a hilariously grandbaby-crazed mother, the author’s reaction to a Washington Post headline titled “Marriage Is for White People” is understandably incredulous. Andrews, however, finds comfort in her artistic success, and has already sold the movie rights to her book.

An irreverent, savvy and sharp memoir.

Pub Date: June 1, 2010

ISBN: 978-0-06-177882-7

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 27, 2010

Kirkus Reviews Issue: April 1, 2010

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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