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WHERE EAGLES NEVER FLEW

A BATTLE OF BRITAIN NOVEL

A painstakingly researched war story with complex characterizations.

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Schrader, the author of The Emperor Strikes Back (2019), re-creates a pivotal period in World War II in this updated version of her 2007 novel.

In 1940, 24-year-old Royal Air Force fighter pilot Robin Priestman is injured on a difficult mission over France and forced to take leave at home in England. At a local canteen, he meets Emily Pryce, a smart Cambridge University grad, and the two fall quietly in love, foiling Robin’s mother’s plans to marry him to an heiress. When his broken ankle heals, he becomes a flight instructor for the RAF, tasked with turning very young men into flying aces. It’s not easy, and Robin’s anxiety about leading these boys into war is palpable in his solitary moments. In Germany, Klaudia von Richthofen has just joined the German Air Force Female Auxiliaries, surrounded by Nazi pilots, whom she sees as romantic heroes. Parallel stories from the German and British camps emerge: British pilot George “Ginger” Bowles is homesick and self-conscious about his lower-class status; Lt. Ernst Geuke, an inexperienced German wingman, worries he’ll never measure up to the Aryan ideal; he pines for Klaudia, who initially doesn’t give him the time of day. In the background are fears of capture or death by bomb or plane. Scenes exploring the characters’ inner lives are compelling, especially on the German side; for example, to Klaudia, Nazism is just about following rules, fitting in, and living up to her famous surname (she’s related to the infamous “Red Baron”), but back in her home village of Silesia, “Everyone still said good morning rather than ‘Heil Hitler’.” Schrader also succeeds in accurately portraying the bombing raids and defense missions that made up the Battle of Britain military campaign. Despite uneven pacing and occasional typographical errors, the story holds up, building to a satisfying, cinematic finale in which a few characters’ fates collide. Readers may find some of the plentiful military jargon difficult to parse despite the glossary included. However, Schrader’s attention to detail is sure to win over veterans, pilots, and military history buffs.

A painstakingly researched war story with complex characterizations.

Pub Date: Nov. 11, 2020

ISBN: 978-1-73531-394-8

Page Count: 594

Publisher: Cross Seas Press

Review Posted Online: Dec. 16, 2020

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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