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WHEN A TOY DOG BECAME A WOLF AND THE MOON BROKE CURFEW…

A beautifully wrought wartime account; highly recommended for its portrait of the human side of a horrifying period of...

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A writer brings her perspective as a therapist with a love of mythology to her debut memoir of growing up in Amsterdam during World War II. 

Before the Nazis arrived, de Vries and her parents lived a vibrant life with colorful neighbors in a charming city full of promise. That changed when the author witnessed a little girl in a crowd being taken away by Nazis. Soon after, her father was sent to a camp as a prisoner of war. De Vries was only able to offer her father her toy dog, which she secretly believed was a wolf, to protect him. For the following two years, the author and her mother survived as Amsterdam’s inhabitants starved or were shot in the street, witnessed neighbors betray neighbors, scavenged for food, and burned anything they could find to stay warm. Her mother stayed hopeful and joined the resistance, at one point hiding a young Jewish woman. In one of the book’s most harrowing scenes, de Vries watched as Dutch traitors dragged the woman out of hiding and held her mother at gunpoint. As a child who had been taught to love stories, the author tried to think of a happy ending even as she and her mother ate their meager rations and battled malnutrition. One of the more intriguing aspects of this engrossing account is what happened when the family was reunited after the conflict. De Vries clearly and empathetically portrays how a broken-down family and a devastated city attempted to rebuild after the trauma of war. There are many lovely moments and vivid, heart-rending details that bring the author’s narrative to life, including her stark description of the inexplicable coldness she felt toward her father when he first returned. “I had no feelings for this man hugging my mother,” she recounts. “He had no place in the story of my mother’s and my traumatized life.”

A beautifully wrought wartime account; highly recommended for its portrait of the human side of a horrifying period of history.

Pub Date: Aug. 27, 2019

ISBN: 978-1-63152-658-9

Page Count: 234

Publisher: She Writes Press

Review Posted Online: Oct. 2, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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