Even though heavily vetted, if without the black blocks of many other CIA-related texts, a useful inside look at what goes...

THE ART OF INTELLIGENCE

LESSONS FROM A LIFE IN THE CIA'S CLANDESTINE SERVICE

Indifferently written but nonetheless fascinating glimpse into the CIA’s most secret—and secretive—department.

Crumpton’s quarter-century career with Clandestine Services, he writes, began as a childhood reverie: “As a young boy, I dreamed of becoming a spy.” It took some doing to get recruited, he recounts (“I had no military service, no foreign language, no graduate degree, no technical skill, and no professional pedigree”), but once in, he excelled at the tough physical work required of a CIA agent in the field, adopting the enthusiasm for the mission that long periods spent under difficult circumstances requires. Some of what Crumpton describes is mundane—e.g., the daily administrative affairs that surround spy work, particularly the politics of intelligence. Only when the agency is threatened does he become piqued enough to go beyond colorless descriptions, as when he writes indignantly of the outing of Valerie Plame (a “horrible breach of trust” on the part of the Bush administration). In fairness, the author is also hard on the current administration (“When President Obama assumed office in January 2009, his Justice Department threatened CIA officers with jail—because they had carried out lawful orders under the previous administration”). His narrative is more vivid, if full of expected turns, when he discusses his time in the field as a commander of operations in Afghanistan, battling Taliban and al-Qaida fighters while trying to smoke Osama Bin Laden out of hiding. Of particular interest is his account of the prison uprising that led to the killing of CIA operative Mike Spann in 2001.

Even though heavily vetted, if without the black blocks of many other CIA-related texts, a useful inside look at what goes on behind closed doors—and iron curtains.

Pub Date: May 14, 2012

ISBN: 978-1-59420-334-3

Page Count: 352

Publisher: Penguin Press

Review Posted Online: June 16, 2012

Kirkus Reviews Issue: July 15, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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