Next book

MEN TOUCHING

A knotty, lyrical, but sometimes overdone tale about a gay vet’s recovery.

A gay Vietnam veteran’s buried trauma provokes much turmoil in this novel.

It’s 1986, and Robb Jorgenson, a 40-year-old Seattle biology professor, has a terrible secret. It’s not his gay sexuality: He is semi-out and has a relationship with Bart, a high school drama teacher. His problem is his experience in the Vietnam War, the memory of which is causing nightmares and insomnia, an Ativan habit, and a persistent sense that he “really didn’t feel he existed at all.” Robb’s anguish leads readers to expect a war crime in his past, but that’s not quite the case: While serving as a military clerk in Saigon, he was a passenger in a jeep that had a hit-and-run collision with a female bicyclist. It’s not clear whether the woman was injured or which vehicle was at fault, but he feels guilt-stricken for not reporting the driver, Mason, for leaving the scene. Compounding his unease is Mason’s hotness—“that tan, that back, those pectorals glimpsed in the windshield, bright with sun”—which leads to a sexual encounter that gets curtailed when he upbraids the man for the accident. My Lai it’s not, but the incident gives Robb panic attacks that get him discharged. Years later, it provokes hallucinations of flaming bicycle wheels, spiraling addiction, paranoia, suicide plans, and finally rehab. Robb’s breakdown draws in loved ones dealing with their own issues. His sister, Olivia, also in recovery, tries to stabilize him while her marriage to a psychiatrist frays. Bart is coming out to his own family and confronting his mother’s projection of her homophobia onto his father. Alley (The Dahlia Field, 2017, etc.) is a skillful writer who draws realistic characters and crafts well-turned comic vignettes—a grandmotherly nurse gives Bart an overly explicit safe sex tutorial—along with moving scenes of the gathering AIDS epidemic. There’s a psychological frankness to the novel, with many pointed discussions as characters internalize the lesson that they must take responsibility for their own lives. Counterpoised to that realism is a giddy sexual lyricism. Robb swoons over studs, from the “tanned runner…his blonde hair radiant as a sunflower” to “that god…in the black lycra tights, his butt almost busting.” Odes to the healing power of man-on-man touching blossom throughout. A massage that Robb receives from a handsome physical therapist sparks a Proustian sensual epiphany, as he finds “himself entering into Tyler’s very bone and sinew, as though their bodies were fusing, the anguish seeming to be like a flower, opening like a bud…with his brain instantly shooting itself back into the backyard of a childhood friend; the friend and his sister were wading with him in a little pond, below a rockery of heather and carnations.” Unfortunately, Robb is not a captivating focus for the book’s lubricious energy. He’s a morose, self-absorbed, ruminative man whose depression and PTSD feel unearned and whose recovery, complete with a brief turn away from gay sexuality that is dropped before it gets interesting, seems perfunctory. Readers may wish that Bart would dump him and take up with one of the more intriguing characters in this hit-and-miss story.

A knotty, lyrical, but sometimes overdone tale about a gay vet’s recovery.

Pub Date: N/A

ISBN: 978-1-937627-35-5

Page Count: 297

Publisher: Chelsea Station Editions

Review Posted Online: Feb. 14, 2019

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:
Close Quickview