After his courtroom tactics win acquittal for a client who goes on to kill again, celebrity lawyer David Kirk is ordered by Judge Aaron Malachi to atone for his complicity with the legal system's moral myopia by defending actor Christopher Cory, accused — with tons of supporting forensic evidence — of killing his former live-in, Alice Ames. It's an ironic penance, since defending Cory will drop Kirk into a nightmarishly false position; but Kirk, who's a tad naive for such a high-profile lawyer, doesn't appreciate that irony until long after he's in the thick of the insanity defense he's presenting over his client's protests. Insanity — because multiple-personality specialist Dr. Michal Scott has teased a murderous alter ego named Max out of Cory. The defense is so pat — Max crows to Scott and Kirk about killing Alice Ames and framing Cory — that you have to wonder what's wrong with this picture, and eventually even Kirk begins to suspect that he's being set up. Could Max be just a triumph of acting invented to get devious Cory off?. And if he is, how can Kirk, forbidden by Malachi from withdrawing from the case, impeach his client without betraying the attorney-client privilege? Slick hackwork that doesn't demand any more attention from you than it apparently got from babe-in-lawland Denker (Mrs. Washington and Horowitz, Too, 1993, etc.). The climax, however, is one of the genre's most treasurable scenes: Kirk really does get a chance to turn this courtroom into a circus.
Pub Date: Nov. 18, 1994
ISBN: 0-688-13700-8
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
This tense psychological thriller shows Hoag at the top of her game.
In Hoag’s (Cold, Cold Heart, 2015, etc.) latest, Minneapolis homicide detective Sam Kovac has been separated from his longtime partner, the diminutive yet hard-charging Nikki Liska.
Nikki wanted more time with her teenage sons, so she sought assignment to the department’s new cold case unit, where she's intrigued by the decades-old unsolved murder of Ted Duffy, a sex crimes detective, despite push back from a retired detective close to his family. Sam’s first case without Nikki is the double murder—"raw animal violence"—of Lucien Chamberlain, an Asian studies professor, and his wife, Sondra, who were slashed to death with the professor’s own antique samurai weapons. Chamberlain was an egotistical, misogynistic megalomaniac. Even his adult children hated him. Son Charles is damned by OCD and his father’s unachievable expectations. Daughter Diana is bipolar and hypersexual. Nikki's and Sam’s cases become parallel stories of anger, isolation, ambition, violence, revenge, and perversion. With Duffy’s widow married to his prosperous twin brother and reluctant to cooperate, Nikki has no lead until she discovers Evi, Duffy’s long-ago foster child. Sam has too many suspects, including an ex-con working for a handyman service, Charles and Diana, and professor Ken Sato, Diana’s lover and Lucien’s rival for department chair. Hoag adds depth to the tale with secondary characters like the preening Sato; fragile librarian Jennifer Duffy, broken and isolated by her father’s murder; and the new homicide lieutenant, Joan Mascherino, who's tough-minded and empathetic, with knife-keen intelligence hidden under a prim personality intolerant of swearing. With an ear for sardonic cop dialogue and humor—Sondra Chamberlain regularly ended her day with a "bottle of Chateau Blackout"—Hoag livens up these two already fast-paced, ripped-from-the-headlines mysteries with interesting factoids about such things as the history of female samurai.
This tense psychological thriller shows Hoag at the top of her game.Pub Date: Jan. 12, 2016
ISBN: 978-0-525-95455-2
Page Count: 368
Publisher: Dutton
Review Posted Online: Dec. 6, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Gardner tacks on so many twists that even the most astute reader will be confused, and even the intriguing resolution, when...
A New Hampshire cop tries to piece together a mysterious woman’s life following a car accident and discovers nothing is as it seems.
Gardner (Fear Nothing, 2014, etc.) puts Sgt. Wyatt Foster front and center in this overly complicated thriller, while corporate security expert—and Foster’s new girlfriend—Tessa Leoni, from the 2011 Love You More, plays a distant second fiddle. When Foster is called to a single-car accident on a rural road, it seems like driver Nicole Frank simply drank too much Scotch and drove off the road. But Nicole, who miraculously survives the crash, insists that her daughter, Vero, is still missing. Foster and his team launch a massive search until Nicole’s husband, Thomas, arrives at the hospital and tells the police that there is no child: Nicole suffered a traumatic brain injury (actually several), causing her to conjure an imaginary daughter. As the details of Nicole’s original injury—she suspiciously fell down both her basement and front stairs within the span of a few months—emerge, Foster and the reader become more, rather than less, confused. Nicole’s history unspools in calculated sound bites, with each episode ending in an artificial cliffhanger. According to Nicole—who claims to be “the woman who died twice”—she escaped a horrific childhood in a brothel known as the Dollhouse, a place that’s the nexus of the mystery surrounding Vero, who may or may not be a figment of her addled brain.
Gardner tacks on so many twists that even the most astute reader will be confused, and even the intriguing resolution, when it finally comes, doesn’t answer all the plot’s unnecessary questions.Pub Date: Feb. 3, 2015
ISBN: 978-0-525-95456-9
Page Count: 416
Publisher: Dutton
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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