You've read it more than once: Hollywood in the days of the Big Picture and the Big Studio and the Big-little man at the top, here called H. P. Koenig, H. P. for short—or possibly L. B. for Mayer. The studio is called Magna, and the era's the once-golden Forties, right after the death of H. P.'s protege-geniusdirector-crown prince (Thalberg?). David Cole is imported as the new possibility—he's a director from New York—and before very long he's bucking H. P. who (like Mayer) breaks those he makes. Now Cole is told to destroy fading star Lora Lindsay; she helps out by killing herself. Then he's to do a Biblical, Via Dolorosa, using the very difficult Christopher Swift, who can only be shot the four hours a day that he's on a heroin lift. Nonetheless, Cole comes through, and the pic looks like millions until H. P., determined to sell it as a block booking, brings the whole house of cracked cards down with him. You know the route—excess footage and footprints from Grauman's Chinese to Forest Lawn—and you know the readership for whom it's commercially auteured.
Pub Date: April 1, 1977
ISBN: N/A
Page Count: -
Publisher: Simon & Schuster
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: April 1, 1977
A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly...
In a Marin County neighborhood, four women help each other amid marital strife, personal crises and life-altering epiphanies.
For years, Mill Valley, Calif., neighbors Gerri, Andy and Sonja have started most of their days with a brisk walk, but one early spring morning, Andy has had enough with her younger second husband, and she skips the walk and throws him out. It is a loud, angry event, but it is a long time coming, and it sets off a series of surprising upheavals in the lives of her friends. Gerri takes an unplanned trip to her husband’s office in San Francisco, and a conversation with his co-worker makes her question everything she knew about her marriage. Sonja, dedicated to New-Age strategies for health and wellness, is thrown off balance by Andy’s marital strife, then spirals into life-threatening depression when her husband leaves her. As each woman deals with her own personal crossroad, they are collectively drawn to newcomer BJ, who has never shown interest in socializing before but becomes the fresh new pair of eyes that notices change at crucial moments and steps in to help when help is most needed. Hugely popular romance author Carr (The Wanderer, 2013, etc.) steps into women’s fiction territory with this quietly powerful exploration of friendship, marriage and midlife crisis. The characters are realistic and compelling, facing life after 40 with grace, courage and a fierce interpersonal loyalty that is convincing and inspiring. The storyline sounds familiar, yet Carr handles the plot and characters with a deft hand and enough unique twists that we are invested in the characters’ well-beings, and we are touched by their struggles, especially since we see each of them at their best and their worst.
A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly what they expected—or thought they were.Pub Date: March 25, 2014
ISBN: 978-0-7783-1681-7
Page Count: 368
Publisher: Harlequin MIRA
Review Posted Online: Feb. 3, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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