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SAILOR AND FIDDLER

REFLECTIONS OF A 100-YEAR-OLD AUTHOR

Readers of Wouk will delight in accompanying him through his triumphs and grief.

Gently meandering work about writing and remembrance by a beloved American sage and author.

A kind of tongue-in-cheek anti-autobiography, this slender memoir by Wouk (The Lawgiver, 2012, etc.) divides his writing life and influences since he was 12 years old in 1927 (“the year ‘Lucky’ Lindbergh flew over the ocean nonstop to Paris”) between “Sailor,” or how his itinerant real life insinuated itself in his work, and “Fiddler,” the spiritual journey of his later years, as he plunged into Judaism and the saga of Israel. His longtime wife and literary agent (since deceased) used to read everything that he wrote and pounced on his idea of writing his autobiography by reminding him skeptically, “you’re not that interesting a person.” Wouk’s roots as a comedy writer pop up throughout the book. Having grown up in a Bronx Jewish household to Yiddish-speaking parents—his steam-laundry boss Papa regaled the family Friday nights with his readings of Shalom Aleichem—Wouk was steeped early on in folk humor and resolved to be a gagman, hired by “gag czar” David Freedman and then Fred Allen. By 1943, he was scrawling the first page of his first novel, Aurora Dawn (1947), aboard a minesweeper and became a rather accidental novelist, or so he writes about his advance for The Caine Mutiny (1951)—he was “bemused by this windfall of bucks.” Indeed, the author can barely grasp the effort that certainly charged his monumental works of fiction, starting with “the first novel about American Jewry,” Marjorie Morningstar, which put him on the cover of Time. Wouk was first moved to write about the Holocaust by reading Raul Hilberg; from there, he plunged into the “main task,” aka the World War II books. His “Fiddler” years led him to the autobiographical Inside, Outside (1985) and to years of intensive military research for The Hope (1993) and The Glory (1994)—“it’s expected of you,” he was told.

Readers of Wouk will delight in accompanying him through his triumphs and grief.

Pub Date: Jan. 5, 2016

ISBN: 978-1-5011-2854-7

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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